Pierced Flower-Vasethird quarter of 16th century

Not on view

Ceramic vessel with squat rounded body and footed base, white ground decorated with cobalt blue, teal, and coral-red floral and leaf motifs, pierced holes along the shoulder and neck

Ceramic vessel photographed from above against a black background, showing a circular opening surrounded by concentric decorative bands: an inner ring of green leaf-like forms and small perforations with orange accents, and an outer band of interlocking blue lattice pattern on white.

Fritware vessel on a low foot ring with a pierced domed lid, decorated in cobalt blue, red, green, and turquoise on a white ground with floral and arabesque motifs; a rope-twist band separates the perforated upper section from the bulbous body.

Porcelain bowl viewed from below, showing unglazed foot rim with iron-brown discoloration and a painted mark in black underglaze; rim of bowl decorated with blue floral sprays and red vine scrolls visible at edges.

Title: Pierced Flower-Vase
Place Made: Turkey, Iznik
Date Made: third quarter of 16th century
Medium: Fritware, underglaze-painted
Dimensions: 5 1/4 x 6 in. (13.34 x 15.24 cm)
Credit Line: The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number: M.2002.1.16
Classification: Ceramics
Collecting Area: Art of the Middle East: Islamic
Curatorial Notes: Ceramics made in Iznik, in western Turkey, represent one of the most renowned and influential arts of the Ottoman period. The Iznik kilns, about 85 miles southeast of the capital, Istanbul, manufactured tableware from the late fifteenth century onward. Iznik pottery began to be commissioned for the European market by the 1570s. Table service could include European coats of arms, while there is a small group of pierced flower vases to which this vase belongs, each of which bears a distinctive black insignia on its base in the form of a long-stemmed cross intersected by the capital letter “S.” Similar marks occur on Italian-made maiolica apothecary jars (albarellos), suggesting that the flowerpots were produced for an Italian customer; more specifically, this device has been related to the SP monogram of Stefano and Piero di Filippo, who had a maiolica factory at Cafaggiolo, in Tuscany.

2025
Selected Bibliography: Hess, Catherine. The Arts of Fire: Islamic Influences on Glass and Ceramics of the Italian Renaissance. Los Angeles: J. Paul Getty Trust, 2004.
Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

Pierced Flower-Vasethird quarter of 16th century

Not on view

Title: Pierced Flower-Vase
Place Made: Turkey, Iznik
Date Made: third quarter of 16th century
Medium: Fritware, underglaze-painted
Dimensions: 5 1/4 x 6 in. (13.34 x 15.24 cm)
Credit Line: The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number: M.2002.1.16
Classification: Ceramics
Collecting Area: Art of the Middle East: Islamic
Curatorial Notes: Ceramics made in Iznik, in western Turkey, represent one of the most renowned and influential arts of the Ottoman period. The Iznik kilns, about 85 miles southeast of the capital, Istanbul, manufactured tableware from the late fifteenth century onward. Iznik pottery began to be commissioned for the European market by the 1570s. Table service could include European coats of arms, while there is a small group of pierced flower vases to which this vase belongs, each of which bears a distinctive black insignia on its base in the form of a long-stemmed cross intersected by the capital letter “S.” Similar marks occur on Italian-made maiolica apothecary jars (albarellos), suggesting that the flowerpots were produced for an Italian customer; more specifically, this device has been related to the SP monogram of Stefano and Piero di Filippo, who had a maiolica factory at Cafaggiolo, in Tuscany.

2025
Selected Bibliography: Hess, Catherine. The Arts of Fire: Islamic Influences on Glass and Ceramics of the Italian Renaissance. Los Angeles: J. Paul Getty Trust, 2004.
Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.