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Collections

Unknown
Doorjamb with a Divine Guardianlate 5th century

Not on view
Sandstone relief sculpture with ornamental upper register of rosettes and braided bands above a seated figure with halo in a shallow niche
Sandstone architectural fragment with carved relief decoration: two rosette medallions connected by vertical rope-twist bands, flanked by scrolling vine motifs on the left and a star-flower border on the right, with a partial carved figure visible at the base.
Sandstone relief panel depicting a seated male figure with a circular halo, holding a small vessel, wearing minimal garments and a necklace, flanked by a staff at left; floral and scroll carving visible at top.

Unknown, Doorjamb with a Divine Guardian, late 5th century, Los Angeles County Museum of Art, Gift of Neil Kreitman, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Doorjamb with a Divine Guardian
Place Made
India, Madhya Pradesh
Date Made
late 5th century
Medium
Red sandstone
Dimensions
42 x 11 1/2 x 3 1/2 in. (106.68 x 29.21 x 8.89 cm)
Credit Line
Gift of Neil Kreitman
Accession Number
M.77.153
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

In the temple architecture of the renowned Gupta Dynasty (319-467 CE) and continuing through the early medieval period (6th-13th century), the door jambs of northern and central Indian Hindu temples are typically safeguarded with a pair of divine guardian figures (dvarapala) to protect the holy sanctuary from mortal marauders and demonic forces. For temples devoted to Vishnu, the Hindu God of Preservation, as well as at the entrance to his celestial abode Vaikuntha, the door guardians are believed to be Jaya and Vijaya who had been cursed to be reborn three times as enemies of Vishnu. After being freed from the curse, they became Vishnu’s gatekeepers.

This door guardian is nimbate signifying his divinity. He has a Gupta-style hairstyle and wears heavy jewelry, a striped dhoti, and a thick waist sash. He stands in a mild contrapposto pose with his left hip thrust out, known in Sanskrit as the ‘three-bend’ posture (tribhanga). He holds a thick staff (danda) with his right hand while his left hand rests on his hip. The door jamb above the guardian has three vertical rows of vegetal decoration. In the center is a flaming column adorned with two large lotuses. It is flanked by bands of scrolling foliage and flowers with six petals (shad patra). See also M.73.119.14 and M.74.5.5.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.1. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1986.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.