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Collections

Unknown
Cow Adoring a Shivalingacirca 800

Not on view
Stone relief panel with a bull standing on a tiered pedestal beneath an ornamental horseshoe arch, flanked by small carved figures, sandy tan stone with worn surface
Stone relief carving depicting a cow with lowered head drinking from or nuzzling a rounded vessel, with a small calf figure visible behind, set within an arched niche; worn sandstone surface with floral rosette detail on the cow's cheek.
Close-up of a stone sculptural head in profile, warm tan sandstone with weathered texture, showing a prominent nose and brow; a lightly incised leaf or eye motif visible on the forehead, dramatically lit from the right.
Artist or Maker
Unknown
Title
Cow Adoring a Shivalinga
Place Made
India, Tamil Nadu
Date Made
circa 800
Medium
Granite
Dimensions
21 1/4 x 36 1/2 x 5 1/2 in. (53.97 x 92.71 x 13.97 cm)
Credit Line
Gift of Mr. and Mrs. Harry Lenart
Accession Number
M.76.48.1
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This architectural relief was likely originally a false dormer window on the cornice molding of a Shiva temple erected during the Pandya Dynasty (400 BCE–1618 CE) in southern India. It represents a local legend of a cow that attained salvation in the 7th century by worshiping a Shivalinga (aniconic symbol of Shiva) in the Tiruvijayamangai Temple located in the village of Govindaputtur (‘the cow’s salvation place’) on the bank of the Kollidam (formerly Coleroon) River in Tamil Nadu. The site was visited by the revered south Indian Shaiva saints Appar (570-650) and Sambandar (7th century; see 56.8), both of whom recorded the tale of the devout cow.

The cow stands over a Shivalinga with its head craned to the side and licking it like it would its calf. The cow is under an arch issued by mythical aquatic animals (makara-torana) with a "Face of Glory" (kirttimukha) at the apex and rearing leonine beasts (shardulas) at the base. Three parading lions adorn each exterior side of the arch. In the bottom right corner, one of Shiva’s dwarf attendants (ganas; see M.69.13.10) rides the makara with his hands held in the gesture of adoration (anjali mudra). Another dwarf, now damaged, presumably occupied the corresponding left corner.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.