LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Erich Godal
Attack1920

Not on view
Lithograph with dense crowd of tangled nude figures at bottom, beneath towering dark rocky or figure-like forms above, in high-contrast black and white

Erich Godal, Genossenschaft für proletarische Kunst, Attack, 1920, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by the Ducommun and Gross Acquisition Fund, and the Twentieth Century Art Acquisition Fund, photo © Museum Associates/LACMA

Artist or Maker
Erich Godal
Germany, also active United States, 1899-1969
Publisher
Genossenschaft für proletarische Kunst
Germany, Berlin, 1920
Title
Attack
Place Made
Germany
Date Made
1920
Medium
Lithograph on J.W. Zanders 1916 laid paper
Dimensions
Image: 22 1/8 x 16 7/8 in. (56.2 x 42.86 cm); Sheet: 27 x 19 1/2 in. (68.58 x 49.53 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by the Ducommun and Gross Acquisition Fund, and the Twentieth Century Art Acquisition Fund
Accession Number
AC1992.238.25.6
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

Copyright
© Erich Godal [or artist's estate]

Related Unframed

Related Unframed

New Acquisition: Max Beckmann’s “Self-Portrait”
New Acquisition: Max Beckmann’s “Self-Portrait”
  • May 5, 2025
  • Stephanie Barron
Alison Saar's Monument to Those Lost and Those Who Have Survived
Alison Saar's Monument to Those Lost and Those Who Have Survived
  • February 9, 2024
  • Sajji Lazarus
Celebrate Five New AR Monuments at a Free Open House for LACMA × Snapchat: Monumental Perspectives
Celebrate Five New AR Monuments at a Free Open House for LACMA × Snapchat: Monumental Perspectives
  • September 7, 2023
  • Editors
Reexamining the Grotesque: Selections from the Robert Gore Rifkind Collection
Reexamining the Grotesque: Selections from the Robert Gore Rifkind Collection
  • September 30, 2022
  • Kiko Thomas
Flipping Stereotypes on Their Stilettos with Native Voices
Flipping Stereotypes on Their Stilettos with Native Voices
  • August 26, 2022
  • Holly M. Crawford, Clarissa Esguerra, Michaela Hansen, Leah Lehmbeck
NFTs and the Museum: Blockchain Carbon Emissions and Mitigation
NFTs and the Museum: Blockchain Carbon Emissions and Mitigation
  • July 5, 2022
  • Kyle McDonald, Joel Ferree
The Queer Imagination and Fiercely Feminine Designs of Lee Alexander McQueen
The Queer Imagination and Fiercely Feminine Designs of Lee Alexander McQueen
  • June 25, 2022
  • Lilia Destin
How to Make One's Self into a Siren: An Acoustemological Mix by Curtis Tamm—Part 2
How to Make One's Self into a Siren: An Acoustemological Mix by Curtis Tamm—Part 2
  • May 15, 2020
  • Joel Ferree
LENS 2019 Acquisitions
LENS 2019 Acquisitions
  • December 23, 2019
  • Rebecca Morse
“Degenerate” Art: Select Publications from the Rifkind Center
“Degenerate” Art: Select Publications from the Rifkind Center
  • May 16, 2018
  • Julia Kim
Violence and Dissent: The “Pop-litical” Art of Guillermo Núñez
Violence and Dissent: The “Pop-litical” Art of Guillermo Núñez
  • May 23, 2017
  • Rachel Kaplan
This Weekend at LACMA
This Weekend at LACMA
  • November 11, 2016
  • Myra Hassaram
New Objectivity: An Overview
New Objectivity: An Overview
  • October 12, 2015
  • Stephanie Barron
Then & Now: Museum Education at LACMA
Then & Now: Museum Education at LACMA
  • July 14, 2015
  • Alicia Vogl Saenz
John Altoon’s Banana Man
John Altoon’s Banana Man
  • July 23, 2014
Yoga in Dance: Classical Indian Dance
Yoga in Dance: Classical Indian Dance
  • June 9, 2014
The Importance of Provenance
The Importance of Provenance
  • February 5, 2014
10th-Annual Muse Costume Ball Contest Winners
10th-Annual Muse Costume Ball Contest Winners
  • October 28, 2013
Now on View: 10th-Century Seated Buddha
Now on View: 10th-Century Seated Buddha
  • May 28, 2013
Thoughts on Caravaggio and His Legacy
Thoughts on Caravaggio and His Legacy
  • November 6, 2012
Breaking the Glass Ceiling: The Studio Glass Movement, 1962–2012
Breaking the Glass Ceiling: The Studio Glass Movement, 1962–2012
  • September 4, 2012
Fun for Families this Summer
Fun for Families this Summer
  • July 26, 2012
Swimming with Sharks
Swimming with Sharks
  • March 19, 2010
No image
Follow up: Deconstructing "Night at the Museum"
  • June 1, 2009