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Collections

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Sorathi Ragini, Third Wife of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies)circa 1775

Not on view
South Asian miniature painting of a woman in a saffron skirt and gold shawl carrying a decorative rod, standing beneath a gnarled tree with peacocks, birds, and a white rabbit on a flowering green ground
Artist or Maker
Unknown
Title
Sorathi Ragini, Third Wife of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies)
Place Made
India, Telangana, Hyderabad
Date Made
circa 1775
Medium
Opaque watercolor and gold on paper
Dimensions
Sheet: 8 11/16 x 5 3/4 in. (22.06 x 14.61 cm); Image: 7 1/2 x 4 1/2 in. (19.05 x 11.43 cm)
Credit Line
Gift of Mr. and Mrs. Robert D. Mathey
Accession Number
M.85.290.4
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Sorathi Ragini is the third wife of Megha Mallar Raga in some 18th-century Deccani ragamala (garland of melodies) traditions. Its iconography consists of a standing heroine playing or carrying a vina and accompanied by peafowl. Here, a garland lies on the ground beside her. The personification is similar to Kakubha Ragini, who is also the third wife of Megha Mallar Raga in the predominant ragamala classification system generally known as the Rajasthani system and in some 18th-century Deccani pictorial traditions (for the latter, see M.87.278.16). The chief iconographic distinction between the two melodies is that Sorathi Ragini is depicted standing or walking rather than sitting on a hillock or peak.

Here, the heroine plays a vina and stares down at a mesmerized peacock while walking in a field of flowers. Two more peacocks and a peahen also gaze up at her. On the ground behind her is a gold beaded garland cast aside or dropped in her distraught mood. The plain tan background with a narrow band of clouds is dominated by a contorted tree with a white hare at its base looking up at the peculiar tree with the same enraptured expression as the peafowl.