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Collections

Unknown
Vishnu's Personified Discus (Chakra Purusha)5th-6th century

Not on view
Small dark bronze sculpture of a chubby child-like standing figure with a circular beaded halo, holding a thin object, on a rounded oval base

Unknown, Vishnu's Personified Chakra, 6th century or earlier, Los Angeles County Museum of Art, Gift of Neil Kreitman, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Vishnu's Personified Discus (Chakra Purusha)
Place Made
India, Jammu and Kashmir, Kashmir region
Date Made
5th-6th century
Medium
Leaded copper-zinc-tin alloy
Dimensions
Height: 2 3/4 in. (6.98 cm)
Credit Line
Gift of Neil Kreitman
Accession Number
M.82.95.1
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Personified weapons (ayudha purusha) of deities, particularly those of Vishnu, the Hindu God of Preservation, began to appear in South Asian art by the 4th century. The weapons are revered as partial incarnations (ansha) of Vishnu’s cosmic energy (see M.80.6.2, M.81.90.20, and M.85.279.1).

The two principle personified weapons associated with Vishnu are the discus and mace. Each has a technical name and a personal name.

1) Discus (Chakra Purusha or Sudarshana): Anthropomorphic male figures with a discus or spoked wheel (chakra) emerging from the top of their head, such as here, represent the personified discus of Vishnu. They often have their arms crossed in front of their chest. The chakra symbolizes Universal law, time, and the destruction of evil. See also M.89.84; and W. E. Begley, Visnu's Flaming Wheel: The Iconography of the Sudarsana-Cakra (New York: New York University Press, 1973).

2) Mace (Gada Devi or Kaumodaki): The anthropomorphic female form of Vishnu's powerful mace (see M.87.62). The gada symbolizes mental and physical strength, authority, and discipline. Because the word "gada" has a feminine gender in Sanskrit, it is personified as a woman. Accordingly, her personal name is Gada Devi rather than Gada Purusha. A mace emerges from the top of her head, and she often holds a fly whisk (see AC1998.136.1).

See also M.74.105.2, Personified Thunderbolt (Vajra Purusha).

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.1. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1986.
  • Reedy, Chandra L. Himalayan Bronzes: Technology, Style and Choices. Newark: University of Delaware Press, 1997.