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Collections

Unknown
Shiva as the Lord of Dancecirca 800

Not on view
Sandstone relief sculpture of a four-armed dancing figure with a circular carved halo, holding a trident and staff, in a dynamic twisted pose
Red sandstone relief sculpture of a four-armed deity in a relaxed seated pose, holding attributes in each hand, with an ornate flaming halo, jewelry, and tall hair arrangement; carved with fine detailing on a shaped backing slab.
Sandstone sculpture of a multi-armed deity in a dynamic contrapposto stance, wearing beaded jewelry and an elaborate knotted coiffure, holding a trident and staff, with a circular prabhavali carved with scrolling foliage behind the figure.

Unknown, Shiva as the Lord of Dance, circa 800, Los Angeles County Museum of Art, From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Shiva as the Lord of Dance
Place Made
India, Madhya Pradesh
Date Made
circa 800
Medium
Red sandstone
Dimensions
29 1/2 x 16 x 6 1/2 in. (74.93 x 40.64 x 16.51 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.82.42.4
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Hindu god Shiva is represented here as the cosmic dancer whose dance engenders the creation of the universe. Shiva performs in the charming (lalita) dance posture with his hip thrust to the left. He stands on his left leg with his right leg raised. The lalita dance is one of the 108 dance postures described in texts such as the Natyashastra (200 BCE-200 CE) and the south Indian agamas (religious scriptures that have come down as tradition).

Shiva is nimbate and has an ascetic’s piled hair (jata mukuta) and a third eye of wisdom (jñana netra). He wears an ascetic’s sash (yoga patta) worn across his left shoulder and a tiger skin over his right thigh. He has four arms. In his upper right hand, he holds a trident (trishula). It is upper left hand, he holds a now-broken ‘cot’s leg’ ritual staff once topped with a skull (khatvanga). His lower right arm extends across his body. It’s now-missing hand likely displayed the ring gesture (kataka mudra) often used to hold a flower. It also grants fearlessness to his devotees. His now-lost lower left hand raised to the shoulder probably once displayed the gesture of exposition (chin mudra). Shiva is ithyphallic (urdhva linga) symbolizing the generative energy of the universe.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • McGill, Forrest, editor. Beyond Bollywood: 2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region. San Francisco, CA: Asian Art Museum, 2022.

Related Unframed

Related Unframed

Shiva: Indian Art + Dance
Shiva: Indian Art + Dance
  • April 6, 2017
  • Chi-Young Kim
From the Collection: Shiva as the Lord of Dance
From the Collection: Shiva as the Lord of Dance
  • March 2, 2015
  • Linda Theung
Summer Academy at LACMA
Summer Academy at LACMA
  • August 11, 2014
  • Hilary Walter