- Title
- The Windmill
- Date Made
- 1641
- Medium
- Etching with touches of drypoint
- Dimensions
- Sheet: 5 3/4 × 8 1/4 in. (14.61 × 20.96 cm)
Image: 5 3/4 × 8 1/4 in. (14.61 × 20.96 cm)
- Accession Number
- M.79.13.5
- Collecting Area
- Prints and Drawings
- Curatorial Notes
Nicknamed “the Little Stink Mill,” this building was only about thirty years old at the time Rembrandt reproduced it in print, the artist intending to imbue his composition with an idyllic pastoral quality through the inclusion of plant life and aged edifices. Rembrandt also decentered the windmill, using an expanse of negative space to give the scene qualities of quiet and stillness. These compositional strategies allow the etching to stand as a meditation on the windmill as a natural part of the landscape outside of Amsterdam. Harmoniously nestled among the adjacent cottages along the bulwark, Rembrandt’s windmill seems far from the active industrial structure that it would have been in reality. The artist most likely sketched its finer details en plein air, translating select textures and surfaces of the natural environment into a composition evoking agrarian tranquility.
Claire Spadafora Baes
2023
- Selected Bibliography
- Hollstein, F. W. H. Dutch and Flemish Etchings, Engravings, and Woodcuts, ca. 1450-1700. Amsterdam: M. Hertzberger, 1949.
- Bartsch, Adam von. The Illustrated Bartsch. New York: Abaris Books, 1978.
- Zumaya, Diva. The World Made Wondrous: the Dutch Collector's Cabinet and the Politics of Possession. Los Angeles: Los Angeles County Museum of Art, 2023.