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Collections

Unknown
An Imaginary Meeting between Guru Nanak (1469-1539) and Guru Gobind Singh (1666-1708)circa 1775

Not on view
Indian miniature painting, five figures on a vermillion-red ground; an elderly white-bearded man seated cross-legged on a blue-patterned platform, attended by two standing figures and two seated figures

Unknown, An Imaginary Meeting between Guru Nanak (1469-1539) and Guru Gobind Singh (1666-1708), circa 1775, Los Angeles County Museum of Art, Gift of Doris and Ed Wiener, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
An Imaginary Meeting between Guru Nanak (1469-1539) and Guru Gobind Singh (1666-1708)
Place Made
India, Himachal Pradesh, Mandi
Date Made
circa 1775
Medium
Opaque watercolor, silver, and ink on paper
Dimensions
Sheet: 5 x 7 5/8 in. (12.7 x 19.37 cm); Image: 4 1/8 x 6 3/8 in. (10.48 x 16.19 cm)
Credit Line
Gift of Doris and Ed Wiener
Accession Number
M.75.114.2
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This painting depicts an imaginary meeting between the first and last Sikh Gurus. Guru Nanak (1469-1539), the founder of Sikhism and the first Sikh Guru, is identified by the devanagari inscription in the upper red border. He and his wife Sulakhani (married in 1487) are seated on a covered platform on a striped carpet. She holds her hands together in a gesture of reverence.

Guru Gobind Singh (1666-1708), the tenth and last Sikh Guru, wears a falconry gauntlet and holds a hawk named Rustam that represents the Kalsa, the Sikh code of conduct initiated by Gobind Singh. He was a Sikh warrior trained in the traditional martial skills of nobility, including hawking. Gobind Singh visited Mandi in circa 1697 during the reign of Raja Sidh Sen (r. 1684-1727) to raise support in the Sikh resistance against the Mughals under Emperor Aurangzeb (r. 1658-1707).

Bala (1466–1544), Guru Nanak’s childhood friend and longtime companion, waves an honorific peacock feather fan (morchal) over Guru Nanak and Sulakhani. Mardana (1459-1534), Guru Nanak’s longtime Muslim disciple and companion, has a rubab (lute-like instrument) and holds his hands together in veneration.

Numerous painted and printed group images of the Sikh Gurus and the Janam Sakhi (Life Stories of Guru Nanak) series were produced in the 18th and 19th centuries, particularly in the Panjab and Kashmir. See M.74.88.3.