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Collections

Unknown
Dancer's Headpiece in the form of the Hindu Goddess Kalilate 15th century

Not on view
Carved wooden architectural panel, horseshoe-shaped with a large divine face at center framed by coiled serpents, feathered forms, and a fierce secondary face at the apex
Artist or Maker
Unknown
Title
Dancer's Headpiece in the form of the Hindu Goddess Kali
Place Made
India, Kerala
Date Made
late 15th century
Medium
Wood with paint
Dimensions
41 x 34 x 4 in. (104.14 x 86.36 x 10.16 cm)
Credit Line
Gift of Mr. and Mrs. Harry Lenart
Accession Number
M.77.60
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This wooden headpiece was worn by a male devotee impersonating the destructive Hindu goddess Kali during the performance of a Malayalam dance drama entitled Daksha Yagam (The Fire-Sacrifice of Daksha). Based on the tale as told in the 8th-century Skanda Purana, the sage Daksha excludes his youngest daughter Sati and son-in-law Shiva from a ritual fire-sacrifice (yajna) that he offers to all the other gods. Insulted by her father, Sati self-immolates on the pyre. Furious, Shiva manifested as his fearful form of Virabhadra to avenge the grave offense and beheaded Daksha. Through the exhortations of Brahma, Shiva eventually forgave Daksha and restored him to life, albeit with the head of a goat.

The dramatic form of this headpiece is characteristic of those used in the Kathakali (story-play) dance drama of Kerala, which is performed using oversize headdresses traditionally made of Gmelina arborea wood.

Selected Bibliography
  • Pal, Pratapaditya. The Divine Presence: Asian Sculptures from the Collection of Mr. and Mrs. Harry Lenart. Los Angeles: Los Angeles County Museum of Art, 1978.

  • Kramrisch, Stella. Manifestations of Shiva. Philadelphia: Philadelphia Museum of Art, 1981.
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.