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Collections

Unknown
The Goddess Shri Devi10th century

Not on view
Bronze sculpture of a seated deity within an arched halo on a stepped rectangular base, with green patina and a partially legible inscription in Brahmic script along the base

Unknown, The Goddess Shri Devi, 10th century, Los Angeles County Museum of Art, Gift of Doris and Ed Wiener, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
The Goddess Shri Devi
Place Made
Bangladesh, Chittagong District, Jhewari (?)
Date Made
10th century
Medium
Copper alloy
Dimensions
7 1/8 x 3 5/8 x 2 3/8 in. (18.09 x 9.2 x 6.03 cm)
Credit Line
Gift of Doris and Ed Wiener
Accession Number
M.72.108.4
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Shri Devi (or Shri) is a sobriquet for Lakshmi, the Hindu goddess of wealth and prosperity. Its usage dates to the late Vedic (proto-Hindu) era in circa 1000–500 BCE.

The beatific goddess is enthroned on a lotus base with a flaming aureola (prabhavali) topped by a jeweled finial with cascading streamers. She wears a floral crown and copious jewelry, including a banded Brahmanical sacred thread (yajñopavita) over her left shoulder. In her left hand she holds a stalk of rice to signify her role as a goddess of agricultural abundance. Her right hand is extended in the gesture of charity (varada mudra) and holds a tripartite jewel or symbol (lakshana). She sits in the lotus posture (padma asana). A thunderbolt (vajra) is in front of her on the lotus base. On the proper right side of the rectangular base is a lizard (godhika), the mount (vahana) of the goddess Gauri who is related to Shri Devi.

A devanagari inscription on the front of the image base identifies the goddess as Shri Devi.

Perhaps added retrospectively, the Buddhist creed is inscribed on the back of the image: The Buddha has explained the cause of all things that arise from a cause. He, the great monk, has also explained their cessation.

See also M.70.5.2, M.78.10.4 and M.90.150.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • Pal, Pratapaditya. The Sacred and Secular in Indian Art. Santa Barbara, CA: University of California, 1974.
  • Johne, Isabell. Vasudhārā: A Study of the Origin, Development, and Diffusion of Artistic Representations of the Buddhist Goddess of Prosperity in their Cultural Contexts. Vol. 2, Catalogue. Translated by Rachel Marks-Ritzenhoff. Aachen: Shaker Verlag, 2014.
  • Johne, Isabell. Vasudhārā: A Study of the Origin, Development, and Diffusion of Artistic Representations of the Buddhist Goddess of Prosperity in their Cultural Contexts. Vol. 1, Text. Translated by Rachel Marks-Ritzenhoff. Aachen: Shaker Verlag, 2014.
  • Bhuiyan, Mokammal H., ed. Studies in South Asian Heritage, Essays in Memory of M Harunur Rashid. Dhaka: Bangla Academy, 2015.