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Collections

Unknown
The Goddess Shri Devi10th century

Not on view
Bronze sculpture of a seated deity within an arched halo on a stepped rectangular base, with green patina and a partially legible inscription in Brahmic script along the base
Artist or Maker
Unknown
Title
The Goddess Shri Devi
Place Made
Bangladesh, Chittagong District, Jhewari (?)
Date Made
10th century
Medium
Copper alloy
Dimensions
7 1/8 x 3 5/8 x 2 3/8 in. (18.09 x 9.2 x 6.03 cm)
Credit Line
Gift of Doris and Ed Wiener
Accession Number
M.72.108.4
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Shri Devi (or Shri) is a sobriquet for Lakshmi, the Hindu goddess of wealth and prosperity. Its usage dates to the late Vedic (proto-Hindu) era in circa 1000–500 BCE.

The beatific goddess is enthroned on a lotus base with a flaming aureola (prabhavali) topped by a jeweled finial with cascading streamers. She wears a floral crown and copious jewelry, including a banded Brahmanical sacred thread (yajñopavita) over her left shoulder. In her left hand she holds a stalk of rice to signify her role as a goddess of agricultural abundance. Her right hand is extended in the gesture of charity (varada mudra) and holds a tripartite jewel or symbol (lakshana). She sits in the lotus posture (padma asana). A thunderbolt (vajra) is in front of her on the lotus base. On the proper right side of the rectangular base is a lizard (godhika), the mount (vahana) of the goddess Gauri who is related to Shri Devi.

A devanagari inscription on the front of the image base identifies the goddess as Shri Devi.

Perhaps added retrospectively, the Buddhist creed is inscribed on the back of the image: The Buddha has explained the cause of all things that arise from a cause. He, the great monk, has also explained their cessation.

See also M.70.5.2, M.78.10.4 and M.90.150.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • Pal, Pratapaditya. The Sacred and Secular in Indian Art. Santa Barbara, CA: University of California, 1974.
  • Johne, Isabell. Vasudhārā: A Study of the Origin, Development, and Diffusion of Artistic Representations of the Buddhist Goddess of Prosperity in their Cultural Contexts. Vol. 2, Catalogue. Translated by Rachel Marks-Ritzenhoff. Aachen: Shaker Verlag, 2014.
  • Johne, Isabell. Vasudhārā: A Study of the Origin, Development, and Diffusion of Artistic Representations of the Buddhist Goddess of Prosperity in their Cultural Contexts. Vol. 1, Text. Translated by Rachel Marks-Ritzenhoff. Aachen: Shaker Verlag, 2014.
  • Bhuiyan, Mokammal H., ed. Studies in South Asian Heritage, Essays in Memory of M Harunur Rashid. Dhaka: Bangla Academy, 2015.