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Collections

Jenny Wu
"Catena" Necklace2017

Not on view
Dark charcoal metal necklace with matte finish, formed from interlocking eye-shaped and teardrop loops arranged in a horseshoe curve, heavily layered at center
Artist or Maker
Jenny Wu
United States, California, Los Angeles
Manufacturer
LACE
United States, California, Los Angeles, founded 2014
Title
"Catena" Necklace
Date Made
2017
Medium
Stainless steel infiltrated with bronze
Dimensions
Open: 11 × 9 × 1/2 in. (27.94 × 22.86 × 1.27 cm) Diameter (Closed): 8 1/4 in. (20.96 cm)
Credit Line
Gift of Deborah and Mark Attanasio and Heidi Wettenhall and Said Saffari through the 2017 Decorative Arts and Design Acquisition Committee (DA²)
Accession Number
M.2017.71
Classification
Jewelry and Adornments
Collecting Area
Decorative Arts and Design
Curatorial Notes

As principal of the firm Oyler Wu Collaborative, Los Angeles-based architect and designer Jenny Wu is known for using emerging technologies to push the boundaries of design and architecture. Wu founded the LACE line of 3D-printed jewelry in 2014 after enthusiastic response to a one-off piece she designed. The jewelry translates the complex, line-based geometries of Oyler Wu’s architectural projects into jewelry and brings a high level of technical skill to the crowded 3D-printing field. The Catena necklace is her most sophisticated design to date, both conceptually and technically. The piece is designed in Autodesk Maya and printed in stainless steel infiltrated with bronze using the binder jetting process, which allows for extremely high resolution. The complex design of seven interlocking pieces and twenty petal-like modules is entirely articulated, a feature made possible by the 3D printing process, without requiring extensive manual labor and time investments.

Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator, Decorative Arts and Design, 2017

Selected Bibliography
  • Gänsicke, Susanne and Yvonne J. Markowitz. Looking at Jewelry: A Guide to Terms, Styles, and Techniques. Los Angeles: J. Paul Getty Museum, 2019.