Elias Friedensohn

Three1962

Everything You Need to Know About LACMA’s New David Geffen Galleries

New Acquisition: Alejandro Otero’s “Tablón 32”

LACMA Invites Los Angeles Icon Erewhon to Inaugurate New Café

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

This Week at LACMA

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

New Acquisition: 90 Works by Ardeshir Mohassess

Galloping into the Year of the Horse

LACMA’s David Geffen Galleries Will Open on April 19, 2026

50 Works 50 Weeks: Our Lady of Guadalupe

The 2025 LACMA Holiday Gift Guide

Celebrate NexGenLA with Family Fun Inspired by Our Modern Art Galleries

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Responding to LACMA’s Collection

50 Works 50 Weeks: Assyrian Reliefs

Francis Bacon’s “Three Studies of Lucian Freud” Is Bequeathed to LACMA by the Estate of Elaine Wynn

Installing “Octavia’s Gaze” with Todd Gray

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”

The Henry and Rose Pearlman Foundation to Gift Its Collection of Impressionist, Post-Impressionist, and Modern Artworks Across Three U.S. Institutions

“The thing becoming itself”: Fabián Cereijido and Francesco Siqueiros on Portraiture

50 Works 50 Weeks: Scherezade García's “Harvest of the Sea”

Up in “Smoke”: Installing Tony Smith’s Monumental Sculpture at the David Geffen Galleries

50 Works 50 Weeks: Jean-Auguste-Dominique Ingres’s “Odalisque”

A Work That Doesn’t Arrive—It’s Made

Reimagining a Silver Pelican in Bolivia