LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Mask (lor)circa 1900

Not on view
No image
Title
Mask (lor)
Culture
Tolai People
Place Made
Papua New Guinea, New Britain, Gazelle Peninsula
Date Made
circa 1900
Medium
Forepart of human skull, human hair, wood, fiber, parinarium nut paste, and pigment
Dimensions
18 x 13 x 11 in. (45.72 x 33.02 x 27.94 cm)
Credit Line
Purchased with funds provided by the Eli and Edythe Broad Foundation with additional funding by Jane and Terry Semel, the David Bohnett Foundation, Camilla Chandler Frost, Gayle and Edward P. Roski, and The Ahmanson Foundation
Accession Number
M.2008.66.42
Classification
Jewelry and Adornments
Collecting Area
Art of the Pacific
Curatorial Notes

Gallery Label
The lor, or skull masks of New Britain’s Gazelle Peninsula were made by the Tolai People from the region’s available materials. The lor were made as masks or were human skulls decorated and attached to sticks. Made from a wooden board, this lor was once painted blue and has an attached beard and round brimmed hat. The face board is attached to a helmet-shaped frame, which allows the mask to be placed firmly on the wearer’s head. The design of the mask bears no apparent attempt to depict the characteristics of an actual individual.

This mask was produced in association with the Tolai iniet society, which held secret initiation rites and produced corresponding dance accessories such as masks. However, the use of this mask had died out by the nineteenth century, before the time of contact with the West. The use of lor had become limited in New Britain, and the specific spirits that they represented, as well as the original use of the mask, were forgotten. This was before missionary influence, and the practice has not been revived, nor could it without the cultural knowledge of the purpose of the lor.