Ceremonial Board (gerua wenena)circa 1955

On view:

David Geffen Galleries, Navigating Pacific Asia

Flat carved wood figure with anthropomorphic form, painted terracotta red with geometric triangle pattern in blue, yellow, and gray, circular disk head, and splayed pointed projections

Painted wooden ceremonial board with a figural form composed of geometric shapes: a circular head atop a tapering body, flanked by angular projecting elements. Decorated with concentric circles and bold outlines in red-orange, yellow, black, and gray pigments. Mounted on a metal museum stand.

Title: Ceremonial Board (gerua wenena)
Culture: Siane People
Place Made: Papua New Guinea, Eastern Highlands Province
Date Made: circa 1955
Medium: Wood and pigment
Dimensions: 58 x 23 x 3 in. (147.32 x 58.42 x 7.62 cm)
Credit Line: Purchased with funds provided by the Eli and Edythe Broad Foundation with additional funding by Jane and Terry Semel, the David Bohnett Foundation, Camilla Chandler Frost, Gayle and Edward P. Roski, and The Ahmanson Foundation
Accession Number: M.2008.66.17
Classification: (not assigned)
Collecting Area: Art of the Pacific
Curatorial Notes: Gallery Label
This large humanlike form is actually the manifestation of a Siane creation myth and celestial symbol. The diamond-shaped body represents the moon, the round head, the sun, and the bent limbs, the road between them. The painted designs on the wenena gerua were specific to the family who created and owned the figure.
Wenena gerua were headdresses worn by the big-men of the Siane in ceremonies. The big-men were the chieflike nobles at the head of Siane society, the most important and powerful men in the group, who had multiple wives and large collections of pigs, symbols of their wealth. The headdresses were worn at Pig Festivals to honor the power of pigs, and the figure itself was intended to maintain the health, fertility, and protection of the pigs and children. Pigs were gathered together during such ceremonies as displays of power.
The Siane are people of the Papua New Guinea Highlands, an extremely isolated and mountainous region where most inhabitants avoid extensive contact with others. The art objects of the isolated Siane are some of the most complexly carved and highly decorative sculptures from a region where sculptural examples are few. The wenena gerua have simpler, smaller counterparts throughout the Highlands; these elegant figures, however, stand up to six feet tall and are more unique to the Siane.
Provenance: Collected by Dadi Wirz (b. 1931), in 1955. Carlo Monzino (1931–1996), Lugano, Switzerland. Anonymous (sale, New York, Sotheby’s, 10 November 1987, lot 110). Masco Corporation Collection, Livonia, MI, sold 2008 through; [Sotheby’s, New York, to]; LACMA.
Selected Bibliography: Wardwell, Allen. Island Ancestors: Oceanic Art from the Masco Collection. [Seattle]: University of Washington Press, 1994.

Related Unframed

Artists on Art: Betye Saar on Ceremonial Board

November 21, 2017
Carol S. Eliel

Ceremonial Board (gerua wenena)circa 1955

On view:

David Geffen Galleries, Navigating Pacific Asia

Title: Ceremonial Board (gerua wenena)
Culture: Siane People
Place Made: Papua New Guinea, Eastern Highlands Province
Date Made: circa 1955
Medium: Wood and pigment
Dimensions: 58 x 23 x 3 in. (147.32 x 58.42 x 7.62 cm)
Credit Line: Purchased with funds provided by the Eli and Edythe Broad Foundation with additional funding by Jane and Terry Semel, the David Bohnett Foundation, Camilla Chandler Frost, Gayle and Edward P. Roski, and The Ahmanson Foundation
Accession Number: M.2008.66.17
Classification: (not assigned)
Collecting Area: Art of the Pacific
Curatorial Notes: Gallery Label
This large humanlike form is actually the manifestation of a Siane creation myth and celestial symbol. The diamond-shaped body represents the moon, the round head, the sun, and the bent limbs, the road between them. The painted designs on the wenena gerua were specific to the family who created and owned the figure.
Wenena gerua were headdresses worn by the big-men of the Siane in ceremonies. The big-men were the chieflike nobles at the head of Siane society, the most important and powerful men in the group, who had multiple wives and large collections of pigs, symbols of their wealth. The headdresses were worn at Pig Festivals to honor the power of pigs, and the figure itself was intended to maintain the health, fertility, and protection of the pigs and children. Pigs were gathered together during such ceremonies as displays of power.
The Siane are people of the Papua New Guinea Highlands, an extremely isolated and mountainous region where most inhabitants avoid extensive contact with others. The art objects of the isolated Siane are some of the most complexly carved and highly decorative sculptures from a region where sculptural examples are few. The wenena gerua have simpler, smaller counterparts throughout the Highlands; these elegant figures, however, stand up to six feet tall and are more unique to the Siane.
Provenance: Collected by Dadi Wirz (b. 1931), in 1955. Carlo Monzino (1931–1996), Lugano, Switzerland. Anonymous (sale, New York, Sotheby’s, 10 November 1987, lot 110). Masco Corporation Collection, Livonia, MI, sold 2008 through; [Sotheby’s, New York, to]; LACMA.
Selected Bibliography: Wardwell, Allen. Island Ancestors: Oceanic Art from the Masco Collection. [Seattle]: University of Washington Press, 1994.

Related Unframed

Artists on Art: Betye Saar on Ceremonial Board

November 21, 2017
Carol S. Eliel