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Collections

Unknown
Sword Belt Fittingcirca 1750-1800

Not on view
Polished silver decorative object with a cross-like form, featuring a central engraved floral disk flanked by scrollwork brackets, two fish above the disk, and openwork crown and pendant finials
Cast and repoussé silver ornament with a central circular medallion engraved with dense floral scrollwork, flanked by pierced scrolling side panels, two fish figures at top, and openwork cartouche and pendant below.
Silver ornamental piece with a central circular medallion engraved with floral and leaf motifs, surrounded by a radiating border, flanked by openwork scroll panels, topped by two facing fish figures, and a pierced foliate bracket below.
Silver metalwork ornament with openwork scrolling foliage crown at top, two facing fish with detailed scale work in the center, and a circular medallion with engraved floral motif below.
Artist or Maker
Unknown
Title
Sword Belt Fitting
Place Made
India, Uttar Pradesh, Awadh, Lucknow
Date Made
circa 1750-1800
Medium
Silver, cast and chased
Dimensions
5 1/4 x 4 x 1/2 in. (13.34 x 10.16 x 1.27 cm)
Credit Line
Purchased with funds provided by the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.2007.10
Classification
Arms and Armor
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This elegant sword belt fitting is made of cast and chased silver. It was most likely used to suspend a scabbard from a waist-belt, with fabric straps connected to the openwork loop or possibly hook fasteners. Sword belt fittings such as this, sometimes called harness fittings, generally incorporated three uneven straps made of woven and/or brocaded silk, velvet, leather, braided cord, or gold chain. Ornate gold or enameled silver buckles, and sometimes matching support rings attached to the scabbard, were typically paired with brocade silk waist belts in the most opulent examples. Comparable enameled sword belt fittings from Lucknow are now in the National Museum, New Delhi (60.890/a-f).

The decorative program features floral and foliate motifs drawn from the standard Mughal and Lucknow design repertoire. The epicenter of the roundel has an open poppy blossom viewed from above. It is surrounded by a concentric band of alternating five- and three-blossomed irises, although their small ovate leaves are not a botanical match for true awl-shaped iris leaves. The roundel’s outer border is a series of stylized acanthus leaves. The four flange-like fasteners are identical pierced-work finials in the form of arabesque bracts. The pair of fish represent the exalted military insignia of the mahi-ye maratib (Fish of Dignity), which served as the dynastic leitmotif of the Lucknow court and was frequently displayed on its decorative arts and palatial architecture.

Selected Bibliography
  • Markel, Stephen & Gude, Tushara Bundu. India's Fabled City. The Art of Courtly Lucknow. Los Angeles County Museum of Art and Del Monico Books- Prestel. Los Angeles, CA. 2010..