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Itō Shinsui
Speech
circa 1925-1935
Not on view
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This Week at LACMA
July 14, 2025
Editors
Artists Represent Themselves: Frida Orupabo on “Untitled (sources unknown except Shadman Shahid [bottom left])”
July 8, 2025
Dhyandra Lawson, Frida Orupabo
This Week at LACMA
June 8, 2025
Editors
Artists Represent Themselves: Sammy Baloji on Mémoire
March 10, 2025
Sammy Baloji, Dhyandra Lawson
This Week at LACMA
December 15, 2024
Editors
New Acquisition: A Special Spanish American Cabinet from Paraguay
March 16, 2023
Ilona Katzew
Andell Family Sundays—The Everlasting Legacy of Dr. Martin Luther King Jr. on Civic Participation
January 13, 2023
Rebecca Horta
Andell Family Sundays Anytime: Look Who’s Talking
May 2, 2021
Alicia Vogl Saenz
LACMA-ASU Fellow Matthew Villar Miranda in Conversation with LACMA Associate Curator Clarissa M. Esguerra
October 28, 2020
Matthew Villar Miranda, Clarissa M. Esguerra
Articulations—ArtCenter MFAs Ching Ching Cheng, Sean T. Randolph, and Gillian Steiner
October 2, 2020
Meet the LACMA-ASU Fellows—Dhyandra Lawson
July 24, 2020
Madeleine Heppermann, Dhyandra Lawson
Voices from the LACMA Archive
May 11, 2020
Julia Kim
Come View Sam Durant’s “Like, man, I’m tired of waiting”
November 27, 2019
Editors
Evenings for Educators: Charles White
April 1, 2019
Lara Schilling
From the Collection: I Have a Dream
January 21, 2019
New Acquisition: Forest Spirit Figure
April 24, 2018
Polly Nooter Roberts
Kindling the Heart in 18th-Century Mexican Painting
March 14, 2018
Ilona Katzew
From MFAH to LACMA
September 25, 2017
Jennifer Cernada
Sam Durant and the Art of Dialogue
July 13, 2017
Jennifer King
School Tours: The Artist as a Social Conscience
March 27, 2017
Emily Craig
LACMA’s Snapchat Scores a Webby
May 24, 2016
Lucy Redoglia
A Conversation with Asher Hartman on The Silver, the Black, the Wicked Dance
April 30, 2016
Jose Luis Blondet
Senses of Time: Video and Film-Based Works of Africa
February 22, 2016
Karen E. Milbourne , Polly Nooter Roberts
Intentionality and Interpretations: Shirin Neshat’s Speechless
November 2, 2015
Linda Komaroff