PaintingEarly Medieval

“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”

Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station

Everything You Need to Know About LACMA’s New David Geffen Galleries

Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color

50 Works 50 Weeks: Millard Sheets’s “Angel’s Flight”

Join a Day of Free Family Fun at LACMA’s David Geffen Galleries

New Acquisition: Alejandro Otero’s “Tablón 32”

Andell Family Sundays: Slow Walking and Observing

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

50 Works 50 Weeks: Diego Rivera’s “Flower Day (Día de flores)”

“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”

All things can be true: Tavares Strachan and Diana Nawi in Conversation

50 Works 50 Weeks: rafa esparza’s “...we are the mountain”

50 Works 50 Weeks: Vincent van Gogh’s “Tarascon Stagecoach”

Cupid and Psyche: Art History's Original Third-Act Break-Up

50 Works 50 Weeks: Giorgio Ghisi’s “Cupid and Psyche”

Transforming a Masterpiece of Impressionism into Something You Can Hold in Your Hands

50 Works 50 Weeks: Our Lady of Guadalupe

Exhibitions to See in 2026

Digital Art Conversations in Miami Beach: A Look Back at LACMA’s Second Annual Gathering

This Week at LACMA

Diffuse Control by Beeple Iteration: Soft Jelly

Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA

50 Works 50 Weeks: Paolo Veronese’s “Allegory of Navigation with an Astrolabe” and “Allegory of Navigation with a Cross-Staff”