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Collections

Unknown
Hookah Basecirca 1775-1800

Not on view
No image
Artist or Maker
Unknown
Title
Hookah Base
Place Made
India, Telangana, Hyderabad
Date Made
circa 1775-1800
Medium
Bidri ware (tarkashi and tehnishan techniques)
Dimensions
6 1/4 x 8 in. (15.88 x 20.32 cm)
Credit Line
Southern Asian Art Council
Accession Number
M.2001.101
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This hookah base is an exceptionally dynamic example of bidri-ware featuring extensive silver sheet and silver wire inlay. Made in what is called an inkpot-shaped base, its complex form features a compressed globular upper reservoir, unadorned narrow waist, and a splayed circular bottom supported by three short feet. The idiosyncratic vessel form may have been inspired by contemporaneous English inkpots made in the shape of a ship’s capstan or revolving waisted cylinder used to wind rope. The spout for inserting a now-missing inhalation tube has a loop handle attached to it and the vessel neck. Another tube for the combustion bowl would have originally extended vertically from the vessel mouth.

The hookah base’s decorative program consists principally of two lush registers of grapevine-and-bunches that scroll around the reservoir and the tapered bottom. The grape vine is realistically depicted with curled tendrils and serrated leaves with typically five lobes, or sometimes three depending upon design dictates. A flowering scroll around the neck and repetitive border patterns in the form of diamonds, squares, lappets, chevrons, or upright acanthus leaves completes the vessel’s ornamentation.

The grapevine-and-bunches motif appears sporadically on Deccani bidri-ware works. Intriguingly, it is also occasionally depicted on the silver-inlaid jade dagger hilts that were produced contemporaneously in the same environs of Hyderabad. The grapevine-and-bunches motif rarely appears in Mughal art and architecture; however, it is frequently found on sixteenth-century Ottoman ceramic wares, which were in turn inspired by earlier Chinese ceramics from the Yuan and Ming dynasties that were similarly adorned with grape bunches. Both Ottoman and Chinese ceramics are known to have been traded in India and acquired by certain royal treasuries. Therefore, given the close cultural connections between Turkey and the Deccan, a Turkish origin for the introduction of the grapevine-and-bunches motif into the Deccani artistic repertoire is certainly conceivable.