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Collections

Augusto Cernigoi
Der Sturm Jg. 17, Heft 1 (1926) - Jg. 20 Heft 9 (1930)1926–1930

Not on view
Expressionist woodcut in stark black and white with thick angular forms suggesting stooped figures or animals moving through a dense, fragmented composition
Woodcut print in stark black and white, abstract architectural composition of receding rectangular frames and stepped geometric forms converging toward a white square at center, creating a tunnel-like perspective effect.
Black and white ink illustration in a Cubist style, depicting a seated figure writing or drawing, surrounded by fragmented geometric shapes. Bold decorative lettering reading "BOOKOF" arcs across the top with a light bulb motif above. Flat graphic treatment with cross-hatched and solid black angular forms.
Print featuring bold black and white typographic composition, large geometric letterforms stacked and overlapping in a dense vertical arrangement, with circular and rectangular cutouts creating strong negative space.
Black and white woodcut or linocut print; abstract composition with a large white circle partially obscured by a dark wedge at upper right, a fan of diagonal white lines at lower left, and scattered small white triangles arcing across the black background.
Woodcut or linocut print in black and white; tall rectangular composition with a white circle at top, bold diagonal striped chevron forms at center, and wavy horizontal lines at bottom suggesting water.
Linocut print in black and white, abstract industrial composition with bold geometric forms, diagonal lines, and wavy curves suggesting machinery or a dam structure.
Black and white print featuring an abstract composition of scattered triangles, a solid circle, concentric arcs, diagonal lines, and stepped rectangular forms arranged across a white ground with gray tonal areas.
Abstract composition on black ground featuring three large circles of varying sizes with smaller circles nested inside, a long diagonal bar crossing upper left to center, a shorter vertical rectangle at lower right, and scattered small dots, rendered in shades of white and gray.
Black and white print with abstract geometric composition; overlapping circles, arcs, triangles, and horizontal bands, with hatched oval form at left and grid pattern at lower right.
Woodcut print in black and white depicting a dynamic industrial landscape with angular geometric forms, jagged saw-like shapes, diagonal lines, smokestacks, and billowing clouds, with a zigzag border at the bottom and monogram at lower right.
Black and white linocut or woodcut print depicting a dense crowd of stylized, angular human faces filling the composition, with urban buildings and industrial structures visible in the background. Bold white lines carved against solid black areas create a high-contrast, expressionistic effect.
Black and white print, abstract geometric composition with a large circle containing a solid black disc, overlapping a stipple-textured diamond shape at left, parallel vertical and horizontal ruled lines at upper right and lower center, and a solid black rectangle with a small white circle at lower right.
Linocut print, abstract geometric composition in black on white: a large solid black circle intersected by two diagonal parallel lines, with a small open circle at lower left, a large open circle in upper right, and a scattered trail of small black dots descending to the right.
Black and white relief print with bold geometric abstract composition; a large circle divided by radiating stripes curves into a chevron-striped rectangular form, with two small circles at lower left, printed with visible texture against a speckled black background.

Franz Marc, Wild little horse, 1926 restrike (originally 1912), Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds, photo © Museum Associates/LACMA

Artist or Maker
Augusto Cernigoi
Artist or Maker
Sidney Hunt
Artist or Maker
Franz Marc
Artist or Maker
Edmund Kesting
Artist or Maker
Ivan Cargo
Title
Der Sturm Jg. 17, Heft 1 (1926) - Jg. 20 Heft 9 (1930)
Place Made
Germany, Berlin
Date Made
1926–1930
Medium
Printed material with thirteen linocuts and four woodcuts on wove paper
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1397.1-.17
Classification
Periodicals
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.