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Collections

Lothar Schreyer
Der Sturm (1924) - Der Sturm 16 (1925)1924-1925

Not on view
Woodcut or linocut print, vertical abstract composition with bold geometric shapes, striped ovals, rectangles, and a large diagonal band in black and white
Woodcut or linocut print, standing figure rendered in angular, Cubist-influenced geometric forms in white against a solid black background, with fragmented planes suggesting a torso, head, and limbs; German text caption visible below.
Black and white woodcut or linocut print, abstract geometric composition with interlocking curved and angular forms, fine parallel hatching on white shapes against a deep black background, initialed "km" at lower left.
Print with abstract composition on black ground: two crescent or lens-shaped forms rendered in contrasting textures—one dotted upper left, one crosshatched lower right—intersected by diagonal and horizontal white lines.
Linocut print, abstract geometric composition in black and white with interlocking diagonal bands, rectangles, and two semicircles arranged dynamically against a white ground. Caption in German Roman type reads "Oskar Fischer: Linoleumschnitt / Vom Stock gedruckt."
Linocut print in black and white; abstract geometric composition of a solid black rectangle and diagonal bar intersecting a large semicircular arc, with a small outlined square at center, printed directly from the block on white ground. Caption in German at lower left.
Linocut print, abstract geometric composition in black and white; overlapping triangles, rectangles, and diagonal bands create a dynamic, angular arrangement with areas of solid black and white negative space.
Abstract geometric composition in stark black and white, with interlocking rectangular forms arranged asymmetrically within a square black border.
Print with white geometric forms on a black background: overlapping rectangular planes with fine parallel line hatching and a stippled texture, arranged at dynamic angles to suggest three-dimensional space.
Black and white print featuring geometric forms: a solid white semicircle at the bottom, overlaid with a fine cross-hatched dome, an outlined crescent arc, and intersecting diagonal bars against a black background.
Woodcut print in black and white depicting windswept trees in a landscape, with bold carved forms showing swirling foliage, diagonal ground lines, and strong contrast between solid black masses and white negative space.
Linocut print in black and white; abstract geometric composition with a large solid black circle overlapping a white circle with concentric rings, flanked by vertical lines at left and a tall black rectangle at right, all within a rectangular border. Latin text caption below reads "Oskar Fischer: Linoleumschnitt / Vom Stock gedruckt."
Woodcut or linocut print in stark black and white, abstract composition with angular geometric forms, curved lines, a concentric circle motif, and diagonal parallel lines cutting across interlocking shapes.
Black and white print, abstract geometric composition combining rectilinear stepped forms with two arcs — one large at upper right, one small at lower center — and a diagonal hatching pattern running vertically through the center on a white ground.
Black and white woodcut or linocut print; abstract composition of a large black rectangle bordered by hatched lines, with a white circle and semicircle at center-left, a stippled horizontal band below, and a tall diagonal form with parallel lines at right.
Relief print or linocut, abstract composition of white diagonal lines and hollow rectangles arranged at varying angles against a heavily textured black ground, with coarse granular ink surface.
Woodblock print with black ground and white lines forming an angular abstract composition; radiating diagonal lines intersect with architectural rectangular forms, suggesting an interior space with an open door or window.
Print or ink work featuring dense Arabic calligraphy in black on white, composed within a teardrop or pear-shaped outline, with angular geometric letterforms creating an intricate interlocking composition.
Print with bold abstract composition of white geometric shapes — rectangles, triangles, and diagonal bands — set against a granular black background with visible ink texture.
Linocut or woodcut print, abstract composition in black and white, featuring overlapping geometric forms — a circle, square, and two triangles — arranged dynamically against a solid black background.
Black and white print with bold geometric abstract composition: a large white circle containing a diagonal angular form resembling a stylized letter, overlaid by two diagonal lines extending to the corners against a solid black background.
Black and white print, abstract geometric composition with a large white angular triangle set against a dark speckled background, overlapping two circles filled with crosshatched texture — one small at left, one large at lower right.
Black and white print featuring an abstract geometric composition of interlocking rectangles, stepped forms, and a bold diagonal dividing the picture plane, with dense black areas contrasting against angular white shapes; monogram and date "21" at lower right.
Graphic print of an abstract black geometric design on white, combining angular triangular forms with a curved loop interlaced at the apex.
Black and white print featuring an abstract geometric composition: a tall white spire rises from a star-like white form at center, set against a black background with two diagonal white lines and rectangular fields of small stippled triangle patterns.
Linocut print in black and white; large white triangular sail form rises from a dotted oval shape suggesting water, with a smaller white triangle and diagonal white line crossing against a solid black background.
Woodcut print in black and white, octagonal composition with stylized conifer trees and angular fragmented forms, bold contrast between carved white areas and black ground, monogram 'WE' in lower left corner.
Black and white print, abstract composition featuring bold white diagonal bars crossing at center within a large circle, divided into dotted and striped segments. Smaller circles, a rectangle, and thin intersecting lines scattered across a solid black background.
Woodcut or linocut print, abstract composition in black and white featuring a large circle intersected by diagonal geometric forms including a pointed cone, triangles, and rectangular bands filled with varied textures — hatching, stippling, zigzag patterns, and crosshatching — against a solid black background.
Black and white print featuring an abstract composition of overlapping circles, arcs, and geometric forms with intricate patterned edges including serrated, dotted, and grid-like details against a solid black background.
Linocut print, abstract geometric composition in black and white: a large circle overlaid on a square divided into four quadrants by white horizontal and vertical bands, with a white rectangular block at center-left intersection, printed with visible ink texture.
Linocut print, abstract composition in black and white with bold diagonal bands, concentric arcs, circles, and geometric shapes, showing visible gouge marks and ink texture characteristic of relief printing.
Linocut print of a stylized seated figure rendered in bold black and white, with angular geometric forms and an abstracted oval head, printed directly from the block; German text caption below.
Linocut print, bold abstract composition in black and white with interlocking geometric and curvilinear forms suggesting stylized letterforms, printed directly from the block with sharp, high-contrast edges. Caption in German script below.
Linocut print in black and white, abstract geometric composition divided into four quadrants by intersecting lines, featuring overlapping circles, rectangles, triangles, and diagonal lines with dotted textures and a crosshatched diamond at center.
Linocut print, abstract vertical composition of interlocking rounded rectangles in black and white, with small circular cutouts scattered across the overlapping forms.
Linocut print in black and white, abstract geometric composition with interlocking rectangular forms, jagged sawtooth borders, small human figures, and stylized lettering integrated throughout the design.
Black and white print featuring an abstract biomorphic figure in solid black with serrated, zigzag edges outlining curved, interlocking forms against a white background.
Woodcut print in black and white featuring two simplified, rounded bird-like figures intertwined against a fragmented geometric background, with jagged edges, bold outlines, and a small grid motif at lower center.
Linocut print in black and white; a silhouetted rabbit-like figure sits atop a horizontal rectangle framed in black, with a tall vertical bar at left, a solid black circle upper right, and a small open circle within the frame; German text below reads 'Pierre Flouquet: Linoleumschnitt / Vom Stock gedruckt'
Woodcut print with abstract black forms on white ground; elongated curved and tapered shapes arranged diagonally, showing visible wood grain texture and irregular ink coverage.
Woodcut print with bold black abstract biomorphic shapes scattered across a white ground, showing visible wood grain texture within the solid forms.
Black and white print of a seated nude figure rendered in bold geometric forms, with angular black shapes contrasting against white negative space, suggesting a Cubist-influenced style.
Linocut print in black and white of two stylized figures rendered in angular, geometric forms; a seated woman in a checkered skirt with crossed legs faces a blocklike male figure at left, with bold contrasting areas and flat graphic treatment.
Artist or Maker
Lothar Schreyer
Germany, Hamburg, 1886-1966
Artist or Maker
Jozef Peeters
Artist or Maker
Oskar Fischer
Artist or Maker
Paul Fuhrmann
Artist or Maker
Otto Nebel
Artist or Maker
Jean Arp
Artist or Maker
János Máttis Teutsch
Artist or Maker
Karl Heinz Kroll
Artist or Maker
Joseph Leonard
Artist or Maker
Ernst Oscar Albrecht
Artist or Maker
G. den Decker
Artist or Maker
László Moholy-Nagy
Artist or Maker
Various Artists
Artist or Maker
Lajos Kassák
Artist or Maker
Waldemar Eckertz
Artist or Maker
Karel Maes
Artist or Maker
Oskar Nerlinger
Artist or Maker
Pierre-Loius Flouquet
Title
Der Sturm (1924) - Der Sturm 16 (1925)
Place Made
Germany, Berlin
Date Made
1924-1925
Medium
Printed material with forty-seven linocuts, four wood engravings, and two woodcuts on wove paper
Dimensions
Overall: 1 3/4 x 12 5/8 x 9 3/4 in. (4.445 x 32.0675 x 24.765 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1396.1-.54
Classification
Periodicals
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.