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Collections

Karl Köpping
Pan 2, no. 3-4 (1896-1897)1896-1897

Not on view
Black and white print of a full-length nearly nude woman with streaming hair, mouth open, holding a platter with a severed head encircled by a halo
Charcoal landscape with a low, dark horizon occupying the lower quarter; a large billowing cumulus cloud dominates the upper portion against a mid-gray sky, rendered with soft blended strokes and textured stumping.
Monochrome print of a forest interior, with gnarled, leaning tree trunks framing a dappled clearing; a small seated figure rests near the base of a large tree at center-right, with open light visible in the distance.
Etching of a coastal landscape with choppy water in the foreground, a wooded promontory bearing a building with a chimney at center, and a dock with small figures at right; energetic hatched lines throughout suggest wind and storm clouds overhead.
Black and white print, elevated view of pedestrians walking along a curved sunlit sidewalk, casting long dark shadows; two open parasols stand out in white against the dark ground, with a billboard and street sign visible at upper right.
Etching or mezzotint of a Baroque church facade with twin towers, rendered in deep blacks and soft grays; a small seated figure in a skirt occupies the foreground street.
Woodblock print of three shorebirds standing in shallow water, symmetrically arranged with one bird facing forward flanked by two birds in profile, rendered in black, white, and gray with stylized rippling water and cloudy sky.
Pen and ink landscape with a standing figure carrying a tool over one shoulder, positioned beside a small pool amid rocky terrain; scattered conifers and rolling hills recede toward a cloudy sky in the background.
Charcoal or graphite drawing, still life of two decorative glass goblets against a dark cross-hatched background. The left goblet has a tulip-shaped bowl and a sinuous twisted stem with leaf details; the right goblet is taller with a wide shallow bowl and a straight stem with a small coiled ornament. Monogram 'K' visible at lower left.
Etching or ink drawing, bust-length portrait of a bearded older man in strict profile facing right, with a bald head and dark beard, one hand raised near his chin, rendered in fine hatched linework against a white ground.
Monochromatic print of tall wild grasses filling the foreground and middle ground, with a thin crescent moon in a pale grey sky above, rendered with fine scratched lines and textured tonal gradations.
Pencil or graphite sketch, bust-length portrait of a mustachioed man in strict left profile, wearing a jacket and bow tie, with loose gestural lines defining the clothing and a more detailed face.
Lithograph or etching of a coastal scene, with a sailing vessel and crane at lower right, a flat expanse of water or tidal flats in the middle ground, and a low distant shoreline sketched in fine, sparse lines.
Etching portrait of a mustachioed man in three-quarter view, wearing a loose shirt, holding a pen or stylus at lower left; fine crosshatched linework with dense shading on the face against a plain ground.
Artist or Maker
Karl Köpping
Germany, also active France, 1848-1914
Artist or Maker
Arthur Illies
Germany, Hamburg, 1870-1953
Artist or Maker
Eugen Kirchner
Germany, Halle, 1865-1938
Artist or Maker
Joseph Pennell
United States, also active England, 1857-1926
Artist or Maker
Peter Halm
Germany, Mainz, 1854-1923
Artist or Maker
Hans Thoma
Germany, also active Austria, 1839-1924
Artist or Maker
Gustav Kampmann
Germany, 1859-1917
Artist or Maker
Hans Olde
Germany, also active France, 1855-1917
Artist or Maker
Otto Eckmann
Germany, Hamburg, 1865-1902
Artist or Maker
William Strang
Scotland, Dumbarton, 1859-1921
Artist or Maker
Otto Gampert
Artist or Maker
Wilhelm Volz
Artist or Maker
Otto Pankok
Artist or Maker
William Michael Rothenstein
Title
Pan 2, no. 3-4 (1896-1897)
Place Made
Germany, Berlin
Date Made
1896-1897
Medium
Printed material with six etchings, five lithographs, one drypoint, 1 mezzotint, and 1 woodcut on laid and wove papers
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1353a-n
Classification
Periodicals
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.