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Collections

Unknown
Pair of Architectural Brackets in the Form of Rampant Leonine Creatures (yali or vyala), From a Processional Mandapa17th century

Not on view
Pair of carved ivory sculptures of rearing lion-like creatures with open mouths, mane ruffs, beaded collars, small hats, and flower-form bases
Close-up of carved ivory or bone object showing incised hieroglyphic-style symbols, including a looped figure and rectangular signs, with a beaded ridge along the top edge and layered cream and brown natural striations.
Close-up of a carved ivory or bone surface with horizontal layered striations and incised markings resembling cursive or symbolic script in brown-tinged grooves against a cream ground.
Close-up of carved ivory or bone netsuke, cream-colored with natural brown grain lines, featuring incised Japanese or Chinese characters amid layered relief carving.
Artist or Maker
Unknown
Title
Pair of Architectural Brackets in the Form of Rampant Leonine Creatures (yali or vyala), From a Processional Mandapa
Place Made
India, Tamil Nadu, Madurai
Date Made
17th century
Medium
Ivory with traces of paint
Dimensions
a: 5 3/4 x 1 1/4 x 1 3/4 in. (14.61 x 3.18 x 4.45 cm); b: 5 7/8 x 1 1/4 x 1 3/4 in. (14.92 x 3.18 x 4.45 cm)
Credit Line
Gift of Corinne and Don Whitaker
Accession Number
M.80.232.7a-b
Classification
Architecture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Madurai region of Tamil Nadu during the Nāyak period (early 16th–early 18th century) was a prolific center of ivory carving. Among the noteworthy object types now dispersed in collections worldwide are figural brackets for ivory thrones and processional mandapas (pillared halls). Such brackets are often fashioned in the form of a rampant animal that is stylistically derived from earlier architectural and sculptural conventions. Most common is a mythical leonine creature (yāli or vyāla). It is depicted rearing on its hind legs, with its proportionally small forelegs and paws held upright and facing forward. The head has the long mane of a mature male lion, which is arranged as a radiant aura with the strands of hair resembling flames. Small ears point upward. The immense bulging eyes are rendered as protruding hemispheres. The mustachioed mouth is widely gaped with snarling upper lips, a prominent row of upper fangs with large curved canines in the rear, and a discrete row of lower teeth. A long plume or frond, either plain or adorned with pearls, extends from the lower lip to an open lotus flower in front of the feet at the base. The tail is that of a lion, long with articulated ends. Floral sprays adorn the hips.

Inscribed on the flattened back of the head and the right flank of support (a) are the numerals 18, 21, and 27 written in Tamil script (Translation by R. Nagaswamy). They serve as instructions for assembling the components in the correct order.

Selected Bibliography
  • Pal, Pratapaditya. Elephants and Ivories in South Asia. Los Angeles: Los Angeles County Museum of Art, 1981.