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Collections

Margrit Kallin-Fischer
Töpferarbeiten und Keramikwaren1930

On view:
Geffen Galleries, floor 1
Black and white photograph looking straight down onto white plaster geometric forms — spheres, trays, cylinders, and rods — with sharp diagonal shadows on a pale surface

Margrit Kallin-Fischer, Töpferarbeiten und Keramikwaren, 1930, Los Angeles County Museum of Art, Purchased with funds provided by the Ralph M. Parsons Fund, digital image © Museum Associates/LACMA

Artist or Maker
Margrit Kallin-Fischer
Germany, 1897-1973
Title
Töpferarbeiten und Keramikwaren
Place Made
Germany
Date Made
1930
Medium
Gelatin silver print
Dimensions
Image: 4 1/4 × 5 in. (10.8 × 12.7 cm) Primary support: 4 1/4 × 5 in. (10.8 × 12.7 cm) Mat: 20 × 16 in. (50.8 × 40.64 cm)
Credit Line
Purchased with funds provided by the Ralph M. Parsons Fund
Accession Number
M.89.43.4
Classification
Photographs
Collecting Area
Photography
Curatorial Notes

Margrit Kallin-Fischer (née Vries), called Grit, was born in Frankfurt and studied painting in Marburg and Leipzig between 1911 and 1917. After World War I, she moved to Berlin and joined the circles of artists there. She met the Russian émigré musician Marik Kallin, and they married in 1920. In 1926, Grit Kallin enrolled at the Bauhaus as an already fully trained artist. Following the basic course with Josef Albers and painting classes with Paul Klee and Wassily Kandinsky, she studied in the metal workshop with László Moholy-Nagy and contributed to Oskar Schlemmer’s theater class, where she met the American Bauhaus member Edward L. Fischer (whom she would marry in 1934). She also took her first photographs while at the Bauhaus. Starting in 1930, Kallin published images in the well-known journal Gebrauchsgraphik (Commercial Graphics), including this arrangement of ceramic teacups, serving plates, dishes, and spheres, which appeared in the June 1930 issue. She soon exhibited alongside major figures from the photography and advertising scene such as Herbert Bayer, Moholy-Nagy, Adolf de Meyer, and Florence Henri. Photographic activity receded in 1935, when she and Fischer moved to New York and she focused mainly on sculpture and graphic design.

Britt Salvesen

2024

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