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Collections

Unknown
Pair of Lanterns with Landscapes, Cranes, and Raised Dragonsfirst half of 19th century

Not on view
Pair of tall white ceramic lanterns with cobalt blue painted landscapes and cranes, white sculptural dragons coiling around the stems, pierced lantern chambers, and pagoda-style roofs with round finials

Unknown, Pair of Lanterns with Landscapes, Cranes, and Raised Dragons, first half of 19th century, Los Angeles County Museum of Art, Gift of Allan and Maxine Kurtzman, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Pair of Lanterns with Landscapes, Cranes, and Raised Dragons
Place Made
Japan
Date Made
first half of 19th century
Period
Edo period (1603-1868)
Medium
Hirado Mikawachi ware; porcelain with blue underglaze
Dimensions
Height: 19 3/8 in. (49.3 cm); Width: 5 7/8 in. (14.9 cm) base; Depth: 5 7/8 in. (14.9 cm) base, each
Credit Line
Gift of Allan and Maxine Kurtzman
Accession Number
AC1998.115.32.1-.2
Classification
Ceramics
Collecting Area
Japanese Art
Curatorial Notes

The porcelain kilns of Hirado were established in the first half of the seventeenth century and relocated to an area called Mikawachi in 1650. By the end of the century, the quality of Hirado Mikawachi wares had reached a remarkable level of achievement and were used by the local fief lord as official gifts to the shogun, emperor, and other dignitaries. The discovery of higher quality kaolin in 1712 resulted in works of even greater whiteness for which Hirado Mikawachi wares became known. The clay of Hirado was very strong and pliable, accommodating modeling and intricate carving, which enabled the execution of refined and detailed designs.

These lanterns or incense burners exhibit some of the finest aspects of Hirado Mikawachi ware. The reticulated doors and the dragons’ scales and facial features speak to the carving skill of the potters as well as the strength and workability of the clay. The landscapes painted on each of the four sides of the square bases are executed in gradations of blue.

In the nineteenth century, Hirado wares were increasingly produced for the export market. While functional objects were not made in pairs for domestic use, they found a ready market in the West. Pairs of large vases, urns, and lanterns of this type were ideally suited for display on a fireplace mantel or in a foyer, flanking the entrance to a large European home.

2025

Selected Bibliography
  • Singer, Robert; Hollis Goodall. Hirado Porcelain of Japan: From the Kurtzman Family Collection.
    Los Angeles: Los Angeles County Museum of Art, 1997.