LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Conrad Felixmüller
Humanity1917

Not on view
No image
Artist or Maker
Conrad Felixmüller
Title
Humanity
Place Made
Germany
Date Made
1917
Medium
Woodcut on thin wove paper
Dimensions
Image: 18 x 5 7/8 in. (45.72 x 14.92 cm); Sheet: 19 x 12 11/16 in. (48.26 x 32.23 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.1363a
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

  • Reed, Orrel P., German expressionist art: the Robert Gore Rifkind Collection: prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.
  • Söhn, Gerhart. Conrad Felixmuller: das graphische Werk, 1912-1977. Hrsg. Gerhart Söhn; mit einer Einführung von Friedrich W. Heckmans. Düsseldorf: Graphik-Salon Gerhart Söhn, 1987.

Related Unframed

Related Unframed

Diffuse Control by Beeple Iteration: Matrix Residua
Diffuse Control by Beeple Iteration: Matrix Residua
  • December 23, 2025
  • Hope Flores
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
  • October 27, 2025
  • Yasna Yamaoka Vismale
Reimagining a Silver Pelican in Bolivia
Reimagining a Silver Pelican in Bolivia
  • June 5, 2025
  • Ilona Katzew
“We are all we’ve got”: Nancy Baker Cahill on “Substrate”
“We are all we’ve got”: Nancy Baker Cahill on “Substrate”
  • June 4, 2025
  • Nancy Baker Cahill, Joel Ferree
More Tickets to Kamasi Washington Live at LACMA's David Geffen Galleries Are Now Available
More Tickets to Kamasi Washington Live at LACMA's David Geffen Galleries Are Now Available
  • May 22, 2025
  • Editors
This Week at LACMA
This Week at LACMA
  • December 9, 2024
  • Editors
Experiencing Awe and Wonder: Meditative Looking in Mapping the Infinite and Island Universe
Experiencing Awe and Wonder: Meditative Looking in Mapping the Infinite and Island Universe
  • November 6, 2024
  • Elizabeth Gerber, Mariko Tu
New Acquisition: Tavares Strachan’s “We Are In This Together”
New Acquisition: Tavares Strachan’s “We Are In This Together”
  • July 1, 2024
  • Dhyandra Lawson
Nancy Baker Cahill:  Substrate
Nancy Baker Cahill: Substrate
  • June 25, 2024
  • Nancy Baker Cahill, Shereen Moustafa, Mark Sosa, Casper Torres, Miguel Zavala-Lopez
The Elusive Body: Mark Bradford and David Hammons
The Elusive Body: Mark Bradford and David Hammons
  • June 19, 2024
  • Dhyandra Lawson
Examining the Life and Times of Media Art at LACMA's First-Ever Time-Based Media Colloquium
Examining the Life and Times of Media Art at LACMA's First-Ever Time-Based Media Colloquium
  • January 23, 2024
  • Joey Heinen
We Are Here: Mapping the Indigenous Migrant Communities of Los Angeles
We Are Here: Mapping the Indigenous Migrant Communities of Los Angeles
  • December 18, 2023
  • Alexander Schneider
Pacific Island Photography: Enlivening Collections Through Community
Pacific Island Photography: Enlivening Collections Through Community
  • July 7, 2023
  • Joey Heinen
Discover the Music of the Computer Age with the Coded Exhibition Soundtrack
Discover the Music of the Computer Age with the Coded Exhibition Soundtrack
  • May 10, 2023
  • Mark “Frosty” McNeill
Remembrance of Things Future: A Conversation with 0xDEAFBEEF, Artist Experimenting on the Blockchain
Remembrance of Things Future: A Conversation with 0xDEAFBEEF, Artist Experimenting on the Blockchain
  • May 4, 2023
  • Lady Cactoid
2022 AHAN: Studio Forum Acquisitions
2022 AHAN: Studio Forum Acquisitions
  • December 9, 2022
  • Rita Gonzalez, Jennifer King, José Luis Blondet
How to Think Like A Museum Registrar
How to Think Like A Museum Registrar
  • November 1, 2022
  • Naomi Ogden, Soyoon Lee
Introducing ECHOES, a Virtual Exhibition from the LACMA Art + Tech Lab, EPOCH Gallery, and UNCOPIED
Introducing ECHOES, a Virtual Exhibition from the LACMA Art + Tech Lab, EPOCH Gallery, and UNCOPIED
  • February 4, 2022
  • Joel Ferree
NFTs and the Museum Part 5: Art Collections on the Blockchain
NFTs and the Museum Part 5: Art Collections on the Blockchain
  • December 3, 2021
  • Elian Carsenat, Joey Heinen, Joel Ferree
Discover the Joy of Black Musical Culture with the Black American Portraits Exhibition Soundtrack
Discover the Joy of Black Musical Culture with the Black American Portraits Exhibition Soundtrack
  • December 1, 2021
  • Alexander Schneider
Andell Family Sundays Anytime—A Closer Look: The Obama Portraits
Andell Family Sundays Anytime—A Closer Look: The Obama Portraits
  • November 28, 2021
  • Akane Okoshi
Bill Viola: Slowly Turning Narrative
Bill Viola: Slowly Turning Narrative
  • May 17, 2021
  • Carol S. Eliel
Celebrating Black History Month—Photography Collection Highlights, Part 2
Celebrating Black History Month—Photography Collection Highlights, Part 2
  • February 26, 2021
  • Leslie Jones, Rebecca Morse, Eve Schillo
“The Utility of What is Not. Reflections from Quarantine.”
“The Utility of What is Not. Reflections from Quarantine.”
  • December 29, 2020
  • Marianne Sadowski