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Collections

Unknown
Ritual Pellet Drumlate 19th-20th century

Not on view
No image
Artist or Maker
Unknown
Title
Ritual Pellet Drum
Place Made
Tibet
Date Made
late 19th-20th century
Medium
Human skulls, animal skin with mineral pigments; embroidered silk fittings
Dimensions
26 × 6 5/8 × 5 3/4 in. (66.04 × 16.8 × 14.6 cm) Drum: 5 1/8 x 6 5/8 x 5 3/4 in. (13.0175 x 16.8275 x 14.605 cm)
Credit Line
Gift of Noriko Gibney in memory of James Talbot Gibney
Accession Number
AC1998.34.1
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Pellet drums (damaru) are hourglass in shape with two opposite-facing drums and two striking pellets connected to the drum by a cord. The drums are often made from two human craniums connected at the point of the crown with a hole drilled to connect the two chambers of the drum, or from hemispherical wooden drums similarly joined together. The skulls are gathered from the charnel fields or reportedly bequeathed by the Buddhist monks themselves. They are never taken from living persons killed for the purpose of obtaining their skull. The drumheads or drum skins are made of stretched and sometimes painted animal hide, usually from goats, cows, or calves. Pellet drums in Tibet, Mongolia, and India are played by grasping it by its waist. When the hand is twisted back and forth, the pellets strike the drumheads to produce various rhythms. Tibetan pellet drums are often used in Tantric rituals and esoteric rites of exorcism. See Huntington and Bangdel, 2003, pp. 364-365, nos. 106A and 106B.

This pellet drum is made of two joined human skulls with animal head drumheads. One skin is painted with a flaying knife or chopper (kartrika; see M.78.32, M.79.243.1, M.85.286.8, AC1992.302.1, and M.2021.242.1). The opposite drum skin is adorned with a blood-filled skull cup (kapala; see M.79.243.4a-b and M.82.201a-c). Both ritual implements are surrounded by a border of purifying cremation fire. A tasseled and embroidered silk banner and an embroidered handle are connected to the middle of the drum by a brocade band. See also M.85.298.2 and M.86.127.

Selected Bibliography
  • Huntington, John C. and Dina Bangdel. The Circle of Bliss: Buddhist Meditational Art. Columbus: The Columbus Museum of Art; Chicago: Serindia Publications, 2003.
Selected Exhibition History
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015