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Collections

Unidentified artist
Poncho with Musicians (Poncho con músicos)late 17th-early 18th century

Not on view
Woven carpet or rug, nearly square, with a deep wine-red field centering a large four-lobed medallion filled with scrolling vine and palmette motifs in orange, green, and blue, corner spandrels, tiny human figures, and a wide amber-brown vine-scroll border
Pile carpet fragment with deep crimson field, showing a corner section with multiple borders densely filled with scrolling arabesques, palmettes, and floral motifs in gold, teal, and ivory; an arched medallion medallion partially visible at lower right.
Textile fragment with deep red ground, featuring two horizontal bands of woven ornamental design. Upper band displays interlocking medallions enclosing floral and animal motifs in cream, blue, olive, and rose. Lower band shows smaller floral roundels with scrolling vine border. Fringe visible along top edge.
Woven textile fragment with deep crimson ground, depicting a standing figure in a wide-brimmed hat and embroidered coat raising a long instrument to their mouth, rendered in cream, gold, and teal; partial animal or bird motif visible at lower edge.

Unidentified artist, Poncho with Musicians (Poncho con músicos), late 17th-early 18th century, Los Angeles County Museum of Art, Gift of Miss Bella Mabury, photo © Museum Associates/LACMA

Artist or Maker
Unidentified artist
Title
Poncho with Musicians (Poncho con músicos)
Place Made
Peru, southern Andes
Date Made
late 17th-early 18th century
Medium
Cotton, camelid-fiber, and silk and metallic-thread tapestry weave
Dimensions
69 1/2 × 66 in. (176.5 × 167.6 cm)
Credit Line
Gift of Miss Bella Mabury
Accession Number
M.40.1.76
Classification
Costumes
Collecting Area
Costume and Textiles
Curatorial Notes

This finely woven poncho would have been worn by a musician in a procession in Cuzco or Potosí (in present-day Peru or Bolivia). As its silver threads glimmered in the sunlight, it expressed the extravagance that characterized public celebrations in the colonial Andes. Made using traditional methods of the Inka cumbicamayos (expert weavers), the poncho features European-style imagery including cherubs, double-headed eagles, scrollwork, vines, vases, and trumpet players in fashionable Spanish dress. Tucked within these designs are birds, lions, monkeys, and other animals, including the Andean mountain viscacha (a rodent in the chinchilla family), providing ample evidence of Andean life.

Ilona Katzew

2024

Provenance
Bella Mabury, Los Angeles, before 1939; Los Angeles Museum of History, Science, and Art (LACMA’s parent institution), 1940.
Selected Bibliography
  • Kahlenberg, Mary Hunt. Fabric and Fashion: Twenty Years of Costume Council Gifts. Los Angeles: Los Angeles County Museum of Art, 1974.
  • Phipps, Elena, Johanna Hecht, and Cristina Esteras Martín, eds. The Colonial Andes: Tapestries and Silverwork, 1530–1830. Exh. cat. New York: Metropolitan Museum of Art; New Haven, CT: Yale University Press, 2004.
  • Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.
Selected Exhibition History
  • Contested Visions in the Spanish Colonial World. November 6, 2011 - January 29, 2012
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024

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