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Collections

Bracelet11th century

On view:
Geffen Galleries
Gold bracelet with repoussé and filigree decoration, set with turquoise and purple cabochon stones at an ornate central clasp, photographed from slightly above
Gold bangle bracelet with heavily repoussé-worked surface, featuring a central clasp decorated with cabochon rubies and turquoise stones set in filigree mounts, with granulated and relief-patterned band.

Unknown, Bracelet, 11th century, Los Angeles County Museum of Art, Gift of the Art Museum Council, photo © Museum Associates/LACMA

Title
Bracelet
Place Made
Egypt or Syria
Date Made
11th century
Period
Fatimid (909-1171)
Medium
Gold, set with rubies and emeralds
Dimensions
Diameter: 4 5/8 in. (11.74 cm)
Credit Line
Gift of the Art Museum Council
Accession Number
AC1997.58.1
Classification
Jewelry and Adornments
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Jewelry played an important role in the lives of women in Fatimid-controlled Egypt and Syria, not only as personal adornment but also as an indicator of affluence and social standing. Surviving trousseau lists tell us that jewelry was the most valuable component of a bride’s dowry, providing a source of financial security in the event of divorce or widowhood. Jewelry such as this large gold repoussé bracelet, which was likely once part of a matched pair, was a spectacular form of wearable wealth. Such tubular or hollow bracelets possibly fit the description manfukh (Arabic for “inflated” or “puffed up”), often found in trousseau lists and associated with the wealthiest of brides.

Fashioned from a single flat sheet of gold, the shank of the bracelet was decorated with repoussé and chased designs, then folded into a hollow tube. Repoussé is a type of relief ornament pushed out from behind; here, the fine relief designs include human heads, birds, and harpies. The clasp’s elaborate decoration illustrates several complex techniques: twisted wire spirals, granulation (decoration of the surface with tiny spheroids or balls), and filigree (wire made into decorative configurations). The stones are emeralds and rubies; the latter have been set with rock crystal, a favorite stone in the Fatimid period (see M.73.5.711).

2024

Selected Bibliography
  • Komaroff, Linda. Islamic Art at the Los Angeles County Museum of Art. Los Angeles: Museum Associates, 2005.
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.
  • Komaroff, Linda. Collecting Islamic Art at the Los Angeles County Museum of Art: A Curatorial Perspective. Los Angeles: Art Catalogues; LACMA, 2017.

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