LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

George Grosz
Separated1922

Not on view
Lithograph of two caricatured figures seated at a table, a woman in a low-cut dress and wide hat and a suited man with a bow tie, rendered in loose black lines on white paper

George Grosz, Separated, 1922, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds, photo © Museum Associates / LACMA

Artist or Maker
George Grosz
Title
Separated
Place Made
Germany
Date Made
1922
Medium
Off-set lithograph on wove paper
Dimensions
Image: 9 3/16 x 7 7/8 in. (23.34 x 20 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by Anna Bing Arnold, Museum Associates Acquisition Fund, and deaccession funds
Accession Number
83.1.73.22
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Selected Bibliography
  • Dückers, Alexander. George Grosz: das druckgraphische Werk/Alexander Dückers. Frankfurt am Main; Berlin; Wien: Propyläen-Verlag, 1979.
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

Copyright
© Estate of George Grosz / Licensed by VAGA at Artists Rights Society (ARS), New York

Related Unframed

Related Unframed

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”
50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”
  • April 9, 2026
  • Stephanie Barron
Diffuse Control by Beeple Iteration: Living Patterns
Diffuse Control by Beeple Iteration: Living Patterns
  • October 28, 2025
  • Jiayi Hou
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
  • October 27, 2025
  • Yasna Yamaoka Vismale
Francis Bacon’s “Three Studies of Lucian Freud” Is Bequeathed to LACMA by the Estate of Elaine Wynn
Francis Bacon’s “Three Studies of Lucian Freud” Is Bequeathed to LACMA by the Estate of Elaine Wynn
  • September 9, 2025
  • Editors
What Is Collotype Printing? Learning from Japan’s Benrido Studio
What Is Collotype Printing? Learning from Japan’s Benrido Studio
  • March 7, 2025
  • Elsa Thyss
In Memoriam: Frank Stella
In Memoriam: Frank Stella
  • May 8, 2024
  • Editors
Step Inside the Damascus Room in Dining with the Sultan
Step Inside the Damascus Room in Dining with the Sultan
  • February 29, 2024
  • Linda Komaroff
Conserving Der Sturm
Conserving Der Sturm
  • February 1, 2023
  • Nicole Alvarado, Erin Sullivan Maynes, Julia Han
The Street of the Future: Moving Sidewalks and Morris Columns in Paris, 1900
The Street of the Future: Moving Sidewalks and Morris Columns in Paris, 1900
  • July 1, 2022
  • Claudine Dixon
These Unprecedented Times: Retracing a Pandemic—2021 Mellon Summer Academy Proposed Exhibition
These Unprecedented Times: Retracing a Pandemic—2021 Mellon Summer Academy Proposed Exhibition
  • August 23, 2021
  • Hilary Walter
Cleaning a German Expressionist Painting
Cleaning a German Expressionist Painting
  • August 18, 2021
  • Caroline Hoover
Concluding The Blackburn Project
Concluding The Blackburn Project
  • December 3, 2020
  • Luz Maria Mejia Ramos, Sedna Villavicencio
Luchita Hurtado: I Live I Die I Will Be Reborn—An Overview
Luchita Hurtado: I Live I Die I Will Be Reborn—An Overview
  • October 29, 2020
  • Jennifer King
Behind-the-Scenes in Costume and Textiles—PACMA Edition: Part 3
Behind-the-Scenes in Costume and Textiles—PACMA Edition: Part 3
  • July 14, 2020
  • Lauren Helliwell
Paul Thek “Untitled”: A Challenging Conservation Treatment for an Unusual Object
Paul Thek “Untitled”: A Challenging Conservation Treatment for an Unusual Object
  • July 10, 2020
  • Silviu Boariu
It’s Too Tangled! The Conservation of Ikat Threads in "Power of Pattern"
It’s Too Tangled! The Conservation of Ikat Threads in "Power of Pattern"
  • May 13, 2020
  • Catherine McLean
Larger than Life: The Conservation Treatment of an Oversized Poster
Larger than Life: The Conservation Treatment of an Oversized Poster
  • April 20, 2020
  • Madison Brockman
Pink Slime Caesar Shift: A Conversation with Jen Liu—Part 2
Pink Slime Caesar Shift: A Conversation with Jen Liu—Part 2
  • January 23, 2020
  • Joel Ferree
Highlights from “Fiji: Art & Life in the Pacific”
Highlights from “Fiji: Art & Life in the Pacific”
  • January 13, 2020
Skeleton (or Gelatin?) in the Closet: Conservation of the Diableries
Skeleton (or Gelatin?) in the Closet: Conservation of the Diableries
  • October 31, 2019
  • Amanda Burr
Highlights from “Frank Stella: Selections from the Permanent Collection”
Highlights from “Frank Stella: Selections from the Permanent Collection”
  • July 17, 2019
How Many People Do You Need to Deinstall a Painting?
How Many People Do You Need to Deinstall a Painting?
  • November 20, 2018
  • Linda Leckart
From the Collection: Stool (no'oanga)
From the Collection: Stool (no'oanga)
  • June 11, 2018
  • Editors
Wu Bin: Ten Views of a Lingbi Stone
Wu Bin: Ten Views of a Lingbi Stone
  • December 13, 2017
  • Stephen Little