LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Constantin von Mitschke-Collande
Freedom1919

Not on view
Expressionist woodcut in black and white showing a dense crowd with raised hands surging upward toward a central towering figure, with radiating rays and the word 'Freiheit' in the upper right

Constantin von Mitschke-Collande, R. Kaemmerer Verlag, Freedom, 1919, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, photo © Museum Associates/LACMA

Artist or Maker
Constantin von Mitschke-Collande
Germany, Magdeburg, 1884-1956
Publisher
R. Kaemmerer Verlag
Dresden, Germany
Title
Freedom
Place Made
Germany
Date Made
1919
Medium
Woodcut
Dimensions
Sheet: 23 1/4 × 19 3/8 in. (59.06 × 49.21 cm) Image: 13 3/4 × 15 9/16 in. (34.93 × 39.53 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number
M.82.288.211c
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Curatorial Notes

This image comes from a portfolio of six woodcuts in which Constantin von Mitschke-Collande illustrates Walther Georg Hartmann’s 1919 short story “Der begeisterte Weg” (The Inspired Path), which Hartmann dedicated to “the dead, living, and future heroes of the righteous revolution.” The story follows a soldier who leaves the front, encounters a revolution in progress, and joins the side of the revolutionaries. Freedom (Freiheit) depicts the moment the revolutionaries enter the city. Sharp diagonals created by outstretched arms and acute rooftop angles generate an energy that converges around the upraised hand of the figure rallying the masses below and toward the celestial body on the upper right, harmonizing the earthly and extraterrestrial. Mitschke-Collande’s brand of Cubo-Futurist abstraction is deployed for the purpose of creating an image of collective action—the mass consolidated into a single powerful unit.

Born into a wealthy aristocratic family, Mitschke-Collande became an ardent member of the Communist Party after the German Revolution. With Otto Dix and Conrad Felixmüller, he cofounded the Dresden Secession, a politically active and socially critical group of Expressionist artists. Hartmann’s story and Mitschke-Collande’s illustrations epitomize the metaphysical side of revolutionary Expressionism, in which the ideological and spiritual were treated as equivalent. The soldier in Hartmann’s story is ultimately killed by counterrevolutionary troops, but his spirit returns to discourage violence and advocate love, a utopian resolution to the question of armed resistance. In Collande-Mischke’s final illustration, the soldier’s spirit departs the earth with the words “Die Zeit ist reif” (the time is ripe). Many believed the revolution would dramatically remake society and resurrect a renewed German culture from the ashes of war. However, few practical political prescriptions were attached to those sentiments.

Erin Sullivan Maynes

2022 (adapted from Pressing Politics: Revolutionary Graphics from Mexico and Germany, 32)

Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

  • Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
  • Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.

  • Benson, Timothy O. and Andrea Gyorody. A New Generation of Creators: Selections from The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles: Los Angeles County Museum of Art, 2017.
  • Kaplan, Rachel, and Erin Sullivan Maynes. Pressing Politics: Revolutionary Graphics from Mexico and Germany. Los Angeles: Los Angeles County Museum of Art, 2022.
Selected Exhibition History
  • Pressing Politics: Revolutionary Graphics from Mexico and Germany. October 29, 2022 - July 22, 2023
Copyright
© Estate of Constantin von Mitschke-Collande

Related Exhibitions

Related Unframed

Related Unframed

LACMA’s Opening Gala for the David Geffen Galleries Raises Nearly $11.5 Million, a New Record for a LACMA Fundraiser
LACMA’s Opening Gala for the David Geffen Galleries Raises Nearly $11.5 Million, a New Record for a LACMA Fundraiser
  • April 22, 2026
  • Editors
All things can be true: Tavares Strachan and Diana Nawi in Conversation
All things can be true: Tavares Strachan and Diana Nawi in Conversation
  • March 25, 2026
  • Diana Nawi, Tavares Strachan
Galloping into the Year of the Horse
Galloping into the Year of the Horse
  • February 17, 2026
  • Katie Booth
An Appreciation: Frank O. Gehry (1929–2025)
An Appreciation: Frank O. Gehry (1929–2025)
  • December 6, 2025
  • Stephanie Barron
Diffuse Control by Beeple Iteration: Blurred Edges
Diffuse Control by Beeple Iteration: Blurred Edges
  • December 4, 2025
  • Deliasofia Zacarias
Currents of Memory: The Oceanic Worlds of “Stray Dog Hydrophobia”
Currents of Memory: The Oceanic Worlds of “Stray Dog Hydrophobia”
  • December 4, 2025
  • Patty Chang, Elizabeth DeLoughrey, David Kelley
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
Yet, the Ocean Still Grieves: Composer Yasna Yamaoka Vismale on “Stray Dog Hydrophobia”
  • October 27, 2025
  • Yasna Yamaoka Vismale
50 Works 50 Weeks: William Eggleston’s “Untitled”
50 Works 50 Weeks: William Eggleston’s “Untitled”
  • September 24, 2025
  • Rebecca Morse
“What does it take to feel autonomy these days?”: Lauren Lee McCarthy on “Auto”
“What does it take to feel autonomy these days?”: Lauren Lee McCarthy on “Auto”
  • June 23, 2025
  • Joanne Hong
“The texture of technology”: Q&A with Artist April Greiman
“The texture of technology”: Q&A with Artist April Greiman
  • April 25, 2025
  • Britt Salvesen, Staci Steinberger
Remembrance of Things Future: A Conversation with Tyler Hobbs, Artist Experimenting on the Blockchain
Remembrance of Things Future: A Conversation with Tyler Hobbs, Artist Experimenting on the Blockchain
  • June 5, 2024
  • Lady Cactoid
This Week at LACMA
This Week at LACMA
  • April 14, 2024
  • Editors
Alison Saar's Monument to Those Lost and Those Who Have Survived
Alison Saar's Monument to Those Lost and Those Who Have Survived
  • February 9, 2024
  • Sajji Lazarus
The 2023 LACMA Holiday Gift Guide
The 2023 LACMA Holiday Gift Guide
  • November 29, 2023
  • Alexander Schneider
Discover the "Magic" of Sam Francis’s Prints Made in L.A.
Discover the "Magic" of Sam Francis’s Prints Made in L.A.
  • July 11, 2023
  • Leslie Jones
Pressing Politics Poster Conservation with Assistance from the Getty Paper Project
Pressing Politics Poster Conservation with Assistance from the Getty Paper Project
  • May 2, 2023
  • Janice Shopfer
Pressing Matters: Prints and Political Activism in the 20th and 21st Centuries
Pressing Matters: Prints and Political Activism in the 20th and 21st Centuries
  • April 17, 2023
  • Rachel Kaplan, Erin Sullivan Maynes
This Week at LACMA
This Week at LACMA
  • February 12, 2023
  • Editors
Celebrating Black History Month with Virtual Evenings for Educators
Celebrating Black History Month with Virtual Evenings for Educators
  • February 9, 2023
  • Lara Schilling
Andell Family Sundays—The Everlasting Legacy of Dr. Martin Luther King Jr. on Civic Participation
Andell Family Sundays—The Everlasting Legacy of Dr. Martin Luther King Jr. on Civic Participation
  • January 13, 2023
  • Rebecca Horta
November: A Revolutionary Month
November: A Revolutionary Month
  • November 22, 2022
  • Rachel Kaplan, Erin Sullivan Maynes
The Queer Imagination and Fiercely Feminine Designs of Lee Alexander McQueen
The Queer Imagination and Fiercely Feminine Designs of Lee Alexander McQueen
  • June 25, 2022
  • Lilia Destin
Celebrating Black Joy and Liberation for Juneteenth
Celebrating Black Joy and Liberation for Juneteenth
  • June 17, 2022
  • Naima J. Keith
New Acquisition: “Femicide”: Three Works By Women About Women
New Acquisition: “Femicide”: Three Works By Women About Women
  • April 26, 2022
  • Linda Komaroff