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Collections

George Grosz
German Doctors Fighting the Blockade1918

Not on view
Satirical print in black ink on cream paper, caricatured figures including a doctor in a white coat examining a standing skeleton, uniformed men at a table, text in French, German, and English below

George Grosz, Der Malik Verlag, German Doctors Fighting the Blockade, 1918, Los Angeles County Museum of Art, The Robert Gore Rifkind Center for German Expressionist Studies, photo © Museum Associates/LACMA

Artist or Maker
George Grosz
Germany, also active United States, 1893-1959
Publisher
Der Malik Verlag
Germany, Berlin, 1917-
Title
German Doctors Fighting the Blockade
Place Made
Germany
Date Made
1918
Medium
Photolithograph
Dimensions
Image: 12 7/16 × 11 5/8 in. (31.59 × 29.53 cm) Sheet: 19 × 15 3/8 in. (48.26 × 39.05 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies
Accession Number
M.82.288.73e
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Curatorial Notes

George Grosz began his career as an illustrator with an interest in caricature. Many of his images lampoon the powerful and the institutions that insulate them: the military, the church, and the government. German Doctors Fighting the Blockade (Die Gesundbeter) is from the portfolio God with Us (Gott mit uns), a title Grosz ironically repurposed from the chauvinistic inscription on the belt buckles issued to German soldiers during World War I. In this print, he targets military authorities and those who collaborated with them to keep young men fighting and dying on the frontlines. A military doctor examines a rotting corpse and announces “KV,” short for Kriegsverwendungsfähig, or “fit for military service.” Arrayed around the room are generals, a staff officer, an enlisted man, and a medic, many of whom will remain safely behind the scenes while others do the dying.

Grosz always sought broad dissemination of his art. Each sheet in God with Us was published with titles in English, German, and French (see also M.82.288.73f). This image first appeared in the Malik periodical Die Pleite (Bankruptcy) in April 1919 with the title Dedicated to the Doctors of Stuttgart, Griefswald, Erfurt, and Leipzig. It later appeared in the 1921 Grosz collection The Face of the Ruling Class and again in The Marked in 1930.

God with Us became the basis for a slander case the government brought against Grosz and his publisher, Wieland Herzfelde. They were found guilty, and the military confiscated remaining copies of the portfolio as well as the printing plates.

Erin Sullivan Maynes

2022 (adapted from Pressing Politics: Revolutionary Graphics from Mexico and Germany, 52)

Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

  • McGreevy, Linda F. Bitter Witness: Otto Dix and the Great War. New York: Peter Lang, Inc., 2001.
  • Rigby, Ida Katherine. An alle Künstler! : War-Revolution-Weimar : German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation. San Diego : San Diego State University Press, 1983.
  • Reed, Orrel P., German expressionist art: the Robert Gore Rifkind Collection: prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.
  • Chipp, Herschel B. and Karin Breuer. The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation. Berkeley: University Art Museum, Berkeley, 1981.
  • Dückers, Alexander. George Grosz: das druckgraphische Werk/Alexander Dückers. Frankfurt am Main; Berlin; Wien: Propyläen-Verlag, 1979.
  • Papanikolas, Theresa. Doctrinal Nourishment: Art and Anarchism in the Time of James Ensor. Los Angeles: Los Angeles County Museum of Art, 2009.
  • Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.


  • Kaplan, Rachel, and Erin Sullivan Maynes. Pressing Politics: Revolutionary Graphics from Mexico and Germany. Los Angeles: Los Angeles County Museum of Art, 2022.
  • Benson, Timothy O. Imagined Fronts: The Great War and Global Media. Los Angeles: Los Angeles County Museum of Art, 2023.
Selected Exhibition History
  • Pressing Politics: Revolutionary Graphics from Mexico and Germany. October 29, 2022 - July 22, 2023
Copyright
© Estate of George Grosz / Licensed by VAGA at Artists Rights Society (ARS), New York

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