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Collections

Unknown
Oil Lamp (samai) with a Peacock and an Elephant Base18th century

Not on view
Tall bronze oil lamp stand with stacked scalloped dishes rising from a sculptural elephant base, with a bird figure at mid-shaft
Bronze oil lamp with a standing elephant base, its trunk curled downward, bearing a small rider figure on its back; a vertical shaft rises from the howdah through three tiered, petal-shaped oil reservoirs, with traces of gilding and verdigris patina throughout.
Bronze oil lamp stand with a bird figure at center, likely a peacock with open tail feathers and a crested head, mounted on a vertical shaft with two shallow circular lamp dishes above and a lobed base below, patinated surface with cast decorative details.
Artist or Maker
Unknown
Title
Oil Lamp (samai) with a Peacock and an Elephant Base
Place Made
India, Maharashtra
Date Made
18th century
Medium
Copper alloy
Dimensions
40 1/4 x 5 1/2 x 10 in. (102.24 x 13.97 x 25.4 cm)
Credit Line
Gift of Leo S. Figiel, M.D., in honor of Dr. Pratapaditya Pal
Accession Number
AC1995.152.1
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This columnar lamp is constructed with five tiers of shallow trays serving as fuel receptacles, each with six spouts that also functioned as wick holders. A prominent peacock, seemingly intended visually as a faux finial, is depicted in an upper intermediary position on the shaft. It has a crest of upright feathers atop its head and a train of covert feathers fanned laterally as during courtship rituals. The base is in the form of an elephant wearing forehead and tusk ornaments and necklaces. A turbaned mahout holding an elephant goad sits atop the pachyderm.

Oil lamps from South and Southeast Asia and the Himalayas have been fashioned in a wide variety of conceptual forms, including anthropomorphic, zoomorphic, phytomorphic, abstract, and combined creations. Burning lamps have long been used in places of worship and for domestic rituals by adherents of all the major religions throughout the diverse regions. They help demarcate and purify a sacred space, and can symbolize a practitioner’s enlightenment. See also M.84.227.8 and AC1993.152.1.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.