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Collections

Unknown
The Jain Goddess Ambika6th-7th century

Not on view
Stone relief sculpture of a four-armed seated deity with headdress, flanked by two animal figures, carved from sandy beige stone
Sandstone relief sculpture of a multi-armed deity seated atop two lions, wearing beaded necklaces, large hoop earrings, and an ornate crown, with a carved halo behind the head; weathered surface with visible tool marks.
Stone relief sculpture of a multi-armed female deity, upper body shown against a circular prabhavali, wearing beaded jewelry and large hoop earrings, with an elaborate crown; hands held in ritual gestures and holding a rosary, finely carved in pale sandstone.
Sandstone sculpture fragment showing the lower torso of a multi-armed deity standing above a lion, with a smaller crouching figure at right; weathered surface with granular texture.
Stone sculpture, close-up of a deity figure's face and upper torso with downcast eyes, large circular ear ornaments, beaded necklace, and elaborately carved curled hair arranged across the forehead, set against a shallow relief background.

Unknown, The Jain Goddess Ambika, 6th-7th century, Los Angeles County Museum of Art, Purchased with funds provided by Robert H. Ellsworth in honor of Dr. Pratapaditya Pal, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
The Jain Goddess Ambika
Place Made
India, Bihar, Shahabad District
Date Made
6th-7th century
Medium
Sandstone
Dimensions
27 x 18 x 10 in. (68.58 x 45.72 x 25.4 cm)
Credit Line
Purchased with funds provided by Robert H. Ellsworth in honor of Dr. Pratapaditya Pal
Accession Number
M.90.165
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Ambika (mother) is the protector goddess (shasana devi) for the Jina (Jain savior) Neminatha, the 22nd Tirthankara (ford finder) of Jainism. She is a Jain yakshi (demigoddess) married to the yaksha (demigod) Gomedha. She is a fertility goddess worshipped for the welfare of mothers and children. Ambika was originally a married woman in Girinagar, Gujarat. She was banished to the forest by her husband Soma or Somasarman after giving away food meant for some Hindu Brahmins to a Jain monk Varadatta, the chief disciple of Neminatha, who had broken a month-long fast. Angila went to the forest with her children and sat under a wilted mango tree that miraculously produced fruit and a nearby dried-up tank that suddenly was filled with water. When her husband approached, out of fear she committed suicide by jumping off a cliff but was instantly reborn as Ambika.

The crowned, nimbate, and bejeweled Ambika is represented here with four arms. Her upper right hand carries a bunch of mangoes, and her lower right hand holds a citron (matulinga). Her upper right hand and its attribute are now broken but may have originally been a sword. Ambika is typically depicted with one or more children. Here, a now-headless boy sits on her left thigh supported by her lower left hand. He holds his right hand in the gesture of reassurance (abhaya mudra). His left hand is now damaged. The goddess is seated in the relaxed posture (lalita asana) on her lion mount (sinha vahana). See also M.72.1.12.

Selected Bibliography
  • Pal, Pratapaditya; S. Andhare; J. Cort; S. Gorakshakar; P. Granoff; J. Guy; G. Larson; Stephen Markel. The Peaceful Liberators: Jain Art from India. Los Angeles: Los Angeles County Museum of Art, 1994.
  • Pal, Pratapaditya. The Sensuous Immortals: A Selection of Sculptures from the Pan-Asian Collection. Los Angeles: Los Angeles County Museum of Art, 1977.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Peyton, Allysa B. and Katherine Anne Paul. Arts of South Asia: Cultures of Collecting. Gainesville: University of Florida Press, 2019.