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Collections

Nur ad-Din Muhammad al-Lahiji
Sharza Khan Mahdawi (verso), Calligraphy (recto)circa 1680-1690

Not on view
Vertical calligraphy panel with Persian-script nasta'līq text written diagonally on marbled blue-and-ivory paper, set within layered gold and blue borders on a coral-red page with allover gold leaf motifs

Nur ad-Din Muhammad al-Lahiji, Sharza Khan Mahdawi (verso), Calligraphy (recto), circa 1680-1690, Los Angeles County Museum of Art, Purchased with funds provided by Lizabeth Scott, photo © Museum Associates/LACMA

Artist or Maker
Nur ad-Din Muhammad al-Lahiji
Title
Sharza Khan Mahdawi (verso), Calligraphy (recto)
Place Made
India, Telangana, Golconda
Date Made
circa 1680-1690
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image (recto): 6 1/2 x 3 in. (16.51 x 7.62 cm); Image (verso): 4 3/8 x 3 5/16 in. (11.11 x 8.41 cm); Sheet: 12 3/4 x 8 1/4 in.; 32.385 x 20.955 cm
Credit Line
Purchased with funds provided by Lizabeth Scott
Accession Number
M.87.20.1
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Verso: Sharza Khan Mahdawi (birthname: Sayyid Makhdum Khan) was a Pathan from the North-West Frontier, Pakistan (present-day Khyber Pakhtunkhwa). He was the regent and a general under Sultan Sikandar Adil Shah of Bijapur (r. 1672-1686), who ascended the throne at age five and whose factious rule endured the onslaught of the Maratha ruler Chhatrapati Shivaji Maharaja (r. 1674–1680) and the conquest of Bijapur in 1686 by the Mughal Emperor Aurangzeb (r. 1658-1707). Aurangzeb, impressed by Sharza Khan’s courage, granted him the title of Rustam Khan and enlisted him as a high official. In 1690 Sharza Khan was captured during the siege of Satara Fort by the Marathas and imprisoned until 1705. After his release he was appointed Subahdar (governor) of the Berar Subah (province) in the northern Deccan in 1707 by Emperor Shah Alam Bahadur (Bahadur Shah I, r. 1707-1712; see M.74.123.5). Additional contemporaneous portraits of Sharza Khan are in the British Museum, London (1974,0617,0.11.26 and 1974,0617,0.4.48) and in the Rijksmuseum, Amsterdam (RP-T-00-3186-35).

Recto: Calligraphy on marbled paper consisting of couplets of a ghazal (amatory poem) by the Persian poet Hafiz (1327-1390).
May your body have no need of the proud airs of physicians
May your delicate existence remain unharmed by injury
Seek healing from the sugar-scattering speech of Hafiz
May you have no need of treatment with rose water and sugar candy.
Written by Nur ad-Din Muhammad al-Lahiji
(Translation by Simon Digby.)

Selected Bibliography
  • Pal, Pratapaditya. Indian Painting, vol.1. Los Angeles: Los Angeles County Museum of Art, 1993.