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Sarvavid Vairochana, From a Set of the Five Jina Buddhas, based on Complete Purification of All Evil Rebirths (Sarva Durgati Parishodana Tantra)circa late 13th - early 14th century

Not on view
Painted thangka with a large multi-armed white-skinned deity on a jeweled throne at center, surrounded by a dense grid of hundreds of small crowned figures in red niches across the entire composition
Artist or Maker
Unknown
Title
Sarvavid Vairochana, From a Set of the Five Jina Buddhas, based on Complete Purification of All Evil Rebirths (Sarva Durgati Parishodana Tantra)
Place Made
Central Tibet
Date Made
circa late 13th - early 14th century
Medium
Mineral pigments and gold on cotton cloth
Dimensions
21 1/2 x 12 in. (54.61 x 30.48 cm)
Credit Line
Purchased with funds provided by Harry and Yvonne Lenart
Accession Number
AC1994.121.1
Classification
Paintings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This painting was likely based on the Complete Purification of All Evil Rebirths (Sarva Durgati Parishodana Tantra). It was composed in India in the 8th century as part of the Yoga Tantra class of Buddhist literature. The tantra was introduced to Tibet in the late 8th century by the Indian master Shantigarbha and translated into Tibetan at the Samye Monastery during the reign of King Khri srong lde brtsan (r. 755–797). The overriding concerns of the painting and the underlying rituals are associated with health, well-being, and prosperity. The central figure is Sarvavid Vairochana, (Vairochana of Universal Knowledge). As such he is identical to Vajrasattva, the Universal Teacher. Overall, the painting is part of an iconographic statement that the insights (jñana) manifested by the five Jina Buddhas are the basis for all 1,000 Buddhas of the present eon.

Interestingly, this central image of Sarvavid Vairochana displays an otherwise unknown variant of the symbolic gesture of "quick enlightenment" (bodhyangi mudra) with all four fingers and the thumb of the left hand displayed simply in front of a fist holding a thunderbolt (vajra). Sarvavid Vairochana is accompanied by four Perfection (Paramita) goddesses, eight standard Bodhisattvas, and a field of 209 Buddhas all with their right hand extended in the gesture of calling upon the earth to witness the Buddha’s right to achieve Enlightenment after his many lifetimes (bhumisparsha mudra).

See Himalayan Art Resources, no. 85701, https://www.himalayanart.org/items/85701

Selected Bibliography
  • Huntington, John C. and Dina Bangdel. The Circle of Bliss: Buddhist Meditational Art. Columbus: The Columbus Museum of Art; Chicago: Serindia Publications, 2003.