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Collections

Unknown
Vamana, the Dwarf Avatar of Vishnulate 9th-10th century

Not on view
Pale sandstone sculpture of a standing deity figure, torso and head only, with a domed curled crown, beaded necklace, and draped braided cords across the rounded belly
Stone sculpture of a standing figure, headless and damaged, with a large carved triangular element bearing rows of incised horizontal ridges across the upper torso; rounded hips and crossed sashes or straps at the waist; pale limestone surface with rough, weathered texture.
Sandstone torso sculpture of a deity figure with an elaborate crown, multiple arms, beaded necklaces, and a rounded belly, displayed on a dark rectangular plinth against a warm brown background.
Stone sculpture, upper torso and head of a standing deity figure with tall ushnisha of curled locks, ornate diadem, elongated earlobes with ear ornaments, beaded necklace, and sacred thread, carved with fine surface detail against a dark background.
Stone sculpture, close-up of a deity head with ushnisha of rounded curls, ornate carved crown with scrolling motifs, downcast eyes, and braided locks at the shoulders.
Artist or Maker
Unknown
Title
Vamana, the Dwarf Avatar of Vishnu
Place Made
India, Madhya Pradesh
Date Made
late 9th-10th century
Medium
Sandstone
Dimensions
23 x 9 1/2 x 6 1/4 in. (58.42 x 24.13 x 15.88 cm)
Credit Line
Gift of Edward F. Dragon
Accession Number
AC1993.54.1
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

In his fifth incarnation (avatar), Vishnu, the Hindu God of Preservation, manifested as the dwarf Vamana to thwart the grandiose sacrifice of the demon king Bali who had defeated Indra, the King of the Gods, and assumed his throne in the heavens of the gods (Indraloka or Svarga). When Bali offered the lowly Vamana anything of his choosing, Vamana humbly asked for all the land he could cover in three steps. After Bali granted his request, Vamana instantly transformed himself in the colossal Trivikrama (The Taker of Three Steps). His first step encompassed the earth, his second step traversed the entire sky, and his third step enveloped the celestial regions. Bali was thus defeated and relegated to rule a minor domain.

Vamana is represented here as a corpulent dwarf standing in a stiff, frontal pose (samapada sthanaka). He has short curly hair similar to a Buddha or Jina and a cranial protuberance similar to a Buddha’s ushnisha that evokes the topknot of a Brahmacharin (religious student in the Brahmacharya Ashram stage of life). He wears a tiara, the Brahmanical sacred thread (yajñopavita) over his left shoulder, a long forest garland (vanamala) hanging across his thighs, and a short dagger tucked into his jeweled waist sash. His arms are now missing, but his hands would have likely held Vishnu’s four primary attributes of a mace (gada), discus (chakra), conch (shankha), and lotus (padma).

See also M.81.240, M.84.58.1, M.84.221.3, and AC1994.4.1.


Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.