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Collections

Unknown
Amulet Case with Qur’anic inscriptionearly 19th century

Not on view
Enameled metal pendant or amulet case with octagonal form, cobalt blue floral decoration on a silver ground, framed by a green and white geometric border, with two suspension loops at top
Artist or Maker
Unknown
Title
Amulet Case with Qur’anic inscription
Place Made
India, Telangana, Hyderabad
Date Made
early 19th century
Medium
Gilded silver inlaid with turquoise and red foil-backed glass set in gold (obverse); enameled gilded silver (reverse)
Dimensions
2 3/4 x 2 7/8 x 3/4 in. (6.99 x 7.3 x 1.91 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.76.2.25
Classification
Jewelry and Adornments
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The amulet case is an elongated octagonal box of enameled and gilded silver. A small scroll of paper, likely inscribed, is inside the bottom compartment. The obverse, or top compartment, is a single turquoise slab set into a bezel. A verse from the Qur’an (40:44) is inscribed with red foil-backed glass set in gold channel settings: "I entrust my cause to Allah. Verily, Allah sees (all His) servants." (Translation by Z.A. Desai)

The LACMA amulet case epitomizes a jewelry tradition of ornate octagonal pendants and amulet cases that existed in Hyderabad and other sites in the Deccan. Bejeweled pendants worn by royalty and the nobility not only serve as bodily ornaments and to display personal wealth, but they can also be visual indicators of political status or a particular cultural or ethnic identity. Certain pendants or amulets are believed to provide the wearer with prophylactic protection from malevolent forces. Usually made of precious or apotropaic materials, they are empowered with inscribed sacred verses and/or astrological, numerical, or mystical symbols written on paper. In the Indo-Islamic tradition, protective amulets are often inscribed with the ninety-nine names of God (Allah) and Qur’anic verses. Hadith (the sayings of Muhammad) are believed to be the most efficacious.

The reverse, or bottom compartment, is gilded silver with an elaborate floral design in translucent dark blue and green enamel of a poppy-like tripartite flowering plant rising from a stylized vase with a splayed foliate foot. The strong verticality of the design and its prominent center motif parallels the flowering tree used to adorn a type of protective jade amulet known as a haldili (Arabic: condition; Persian: heart), which was worn for its ostensible protection against heart palpitations.

Selected Bibliography
  • Markel, Stephen. Mughal and Early Modern Metalware from South Asia at LACMA: An Online Scholarly Catalogue. Los Angeles: Los Angeles County Museum of Art, 2020. https://archive.org/details/mughal-metalware (accessed September 7, 2021).