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Collections

Renée Sintenis
Standing Baby Bear (Stehender kleiner Bär)20th century

Not on view
Drypoint or etching of a young bear cub standing upright in profile, rendered in fine black outlines on cream paper, with minimal interior detail
Artist or Maker
Renée Sintenis
Germany, Glatz, 1888-1965
Title
Standing Baby Bear (Stehender kleiner Bär)
Place Made
Germany
Date Made
20th century
Medium
Drypoint on wove paper
Dimensions
Plate: 8 3/4 x 6 5/8 in. (22.23 x 16.83 cm)
Credit Line
The Robert Gore Rifkind Center for German Expressionist Studies, purchased with funds provided by the Ducommun and Gross Acquisition Fund, and the Twentieth Century Art Acquisition Fund
Accession Number
AC1992.237.8
Classification
Prints
Collecting Area
Robert Gore Rifkind Center for German Expressionist Studies
Curatorial Notes

Renée Sintenis depicted animal and human forms alike in a simplified, streamlined style, their elongated limbs arranged in balletic poses. In 1931 she became the second woman (after Käthe Kollwitz) to be admitted to the Academy of Arts; when the Nazis came to power, she was expelled and her work targeted as “degenerate.” This drypoint of a baby bear, recalls her most famous work: the “Berlin bear,” one of the city’s most beloved public sculptures and the source for the Golden Bear statuette of the Berlin Film Festival.


Exhibition Label: Women’s Work: Art by Women in Germany, 1900–1933, 2021, Erin Maynes.

Selected Bibliography
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.