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Collections

Unknown
Holy Water Bucketcirca 1520

On view:
Geffen Galleries, floor 2
Gilt-bronze mounted wine cooler with polished black stone body, figural putto handles, foliate rim band, and a long ladle resting across the top

Unknown, Holy Water Bucket, circa 1520, Los Angeles County Museum of Art, Gift of Varya and Hans Cohn, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Holy Water Bucket
Place Made
Northern Italy, possibly Venice or Padua
Date Made
circa 1520
Medium
Serpentine stone, gilt bronze
Dimensions
4 1/8 x 5 3/8 in. (10.48 x 13.65 cm); Diameter: 4 3/4 in. (12.07 cm)
Credit Line
Gift of Varya and Hans Cohn
Accession Number
AC1992.152.103
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

The combination of serpentine stone and elaborately cast and gilt bronze makes this a particularly luxurious object. Serpentine, a green metamorphic stone, could be easily carved and polished to create a lustrous, waxy surface. This vessel, known as an aspersorium, was intended to hold holy water used in the Roman Catholic ritual of asperges, in which a priest sprinkles water on the congregation before mass. The bucket would have been accompanied by an equally lavish aspergillum, or baton, that the priest would dip into the water and wave throughout the church. Both holy water and the ritual of asperges were symbolic of purification and the cleansing of sin. The design of the cast and gilt mounts, as Timothy Schroder has documented, is indebted to Northern European ornament prints that were widely available throughout Europe. A nearly identical holy water bucket formerly in the French royal collection was brought from Italy to France in the early 1500s. The similarity of its ornament to that found on bronze mortars and bells made in Venice and Padua further suggests that both buckets were created in Northern Italy.

Selected Bibliography
  • Thomas, Nancy, and Constantina Oldknow, eds. By Judgment of the Eye: The Varya and Hans Cohn Collection. Los Angeles: Hans Cohn, 1991.