LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Unknown
The Buddhist Goddess Shyama (Green) Tara18th century

Not on view
Polychrome wood sculpture of a standing female figure with green skin, coral-red garments, and gold jewelry and headdress, on a lotus-petal base and black pedestal

Unknown, The Buddhist Goddess Shyama (Green) Tara, 18th century, Los Angeles County Museum of Art, Gift of Mr. and Mrs. Werner G. Scharff, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
The Buddhist Goddess Shyama (Green) Tara
Place Made
Nepal
Date Made
18th century
Medium
Wood with paint
Dimensions
35 3/4 x 12 1/2 x 5 5/8 in. (90.81 x 31.75 x 14.29 cm)
Credit Line
Gift of Mr. and Mrs. Werner G. Scharff
Accession Number
M.91.232.7
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Green Tara is one of the most popular Buddhist protective goddesses in Nepal and Tibet. She is said to have been born from the Bodhisattva Avalokiteshvara’s tears of compassion. There are many forms of Tara, all of whom help practitioners overcome hindrances and difficulties on the path to Enlightenment. Each Tara has a different symbolic character and associated color. Green Tara is a gracious form regarded as the savior from all suffering and the symbol of Enlightenment in female form. She is often propitiated for longevity. Green Tara is also the wisdom component of Enlightenment (prajna) associated with the transcendental Jina Buddha Amoghasiddhi.

This standing image of Green Tara is crowned and has golden jewelry. She wears a midriff-baring blouse (choli) and a long skirt (ghagra or lhenga), both red with gold flowers. Her left hand extends to beside her thigh and once held a separate blue lotus, which is her standard attribute. Her right hand is now missing, but judging from the position of the forearm is unlikely to have been held in her normal gesture of ‘gift-giving’ (varada mudra).