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Collections

Unknown
Reliquary Stupa (Chöten)late 14th-early 15th century

Not on view
Bronze stupa-form sculpture with ribbed spire, lotus-petal base, coiling serpent forms, and crescent finial, covered in dark black patina
Bronze stupa with dark patina, featuring a tiered bell-shaped base with lotus petal border, a middle tier decorated with small figures, a conical ringed spire hung with pendant ornaments, and a crescent-shaped finial flanked by serpentine forms.

Unknown, Reliquary Stupa (Chöten), late 14th-early 15th century, Los Angeles County Museum of Art, Purchased with funds provided by Harry and Yvonne Lenart, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Reliquary Stupa (Chöten)
Place Made
Central Tibet
Date Made
late 14th-early 15th century
Medium
Copper alloy with black paint
Dimensions
Overall: 24 x 11 in. (60.96 x 27.94 cm); Base: 19 x 11 in. (48.26 x 27.94 cm); Top: 8 1/2 x 5 1/2 in. (21.59 x 13.97 cm)
Credit Line
Purchased with funds provided by Harry and Yvonne Lenart
Accession Number
AC1992.58.1a-b
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A stupa is a funerary or reliquary monument for Buddhists, or in ancient India, for Jains as well. The earliest Buddhist stupas held the Buddha’s cremation ashes and relics, but later ones also interred the remains of the Buddha’s renowned acolytes, important laity, or commemorated significant sites or events in the life of the Buddha. Miniature stupas made of schist, copper alloy, rock crystal, or ivory were used either as votive objects for worship or, when hollow, as consecrated reliquaries containing precious or auspicious offerings, such as flower petals made of gold sheet or seeds; relics, such as cremation ashes, bone and tooth fragments, fragments of garments worn by the personage; written or printed prayers and texts; and protective charms. In Tibet, a stupa is called a chöten. Reliquary stupas in Tibet were often made for the Kadampa sect.

Although individual stupas differ in design details, the general form of this type of Tibetan stupa consists of a circular base with a double band of lotus petals (padmasana), bell-shaped dome (anda) with a residual ambulatory ring, cruciform or quadrangular terrace (harmika) topped by antefixes, conical spire of typically thirteen disks representing umbrellas, honorific parasol (chattra), billowing victory streamers, lotus bud finial, crescent moon, and a sun disk (here missing).

See also M.76.130 and M.82.200.3. Comparable Tibetan stupas are in the Metropolitan Museum of Art, New York (2016.21.2), Newark Museum of Art (20.424), Rubin Museum of Art, New York (C2003.12.2 and C2004.17.1), and Victoria and Albert Museum, London (IM.25-1910).

Selected Bibliography
  • Matilsky, Barbara C. Buddist Art and Ritual from Nepal and Tibet. Chapel Hill: Auckland Art Museum, University of North Carolina, 2001.
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.