LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Queen Tripurasundari of Nepal (1794-1832) (?)circa 1860-1900

Not on view
Full-length portrait painting of a young woman in a white patterned shawl, red sash, and burnt-orange skirt, standing on a striped and checkered floor beneath wooden rafters
Artist or Maker
Unknown
Title
Queen Tripurasundari of Nepal (1794-1832) (?)
Place Made
Nepal
Date Made
circa 1860-1900
Medium
Opaque watercolor and gold on paper
Dimensions
18 1/2 x 12 3/4 in. (47 x 32.4 cm)
Credit Line
Gift of Fabio Rossi
Accession Number
M.91.134
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Probably part of a series with M.91.206, this idealized portrait likely portrays Queen Tripurasundari (or Lalit Tripura Sundari Devi, 1794-1832). She was a Queen consort of King Rana Bahadur Shah (r. 1777–1799). Along with Prime Minister Bhimsen Thapa (served 1806–1837; see M.91.206), she was regent of the kingdom for her stepson King Girvan Yuddha Bikram Shah (r. 1799-1816; see M.76.129) and for her step-grandson King Rajendra Bikram Shah (r. 1816-1847).

Queen Tripurasundari is depicted as an elegantly attired noble or wealthy woman with a devotional dot (bindi) on her forehead. She has a bouquet protruding from a headband, elaborate gold ear ornaments, gold finger rings, a necklace of red spinels (balas rubies), and the distinctive ceremonial necklace of elite Newar women and Nepal’s Living Goddess (Kumari). The lozenge-shaped horizontal pendant is an amulet container for symbolic grains of purified rice, gemstones, or a sacred verse (see M.79.242). She wears the traditional garb of a Newar woman consisting of a transparent white shawl, black coat, multicolored waist wrap, and an orange sari with a red border (haku parsi). The interior setting is adapted from contemporaneous European studio portraiture.