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Collections

Attributed to Manohar
The Jain Monk Sudatta Receiving King Yashomati (Recto), King Yashomati’s Royal Procession (Verso), Folio from a Yashodhara Charita (Life of Yashodhara)1636

Not on view
Illustrated manuscript page divided into three registers showing interior and outdoor scenes with figures in South Asian dress, painted in opaque watercolor with gold-orange, green, and blue grounds
Rajasthani manuscript painting on a vivid red ground depicting a royal procession: a bejeweled elephant at left carries two figures, while attendants on foot, a white horse with rider, and flag-bearers fill the composition; figures wear colorful turbans and dhoti in yellow, green, and blue with flat, opaque pigments and stylized lotus foliage throughout.

Attributed to Manohar, The Jain Monk Sudatta Receiving King Yashomati (Recto), King Yashomati’s Royal Procession (Verso), Folio from a Yashodhara Charita (Life of Yashodhara), 1636, Los Angeles County Museum of Art, Gift of Mr. and Mrs. Robert L. Cunningham, Jr., photo © Museum Associates/LACMA

Artist or Maker
Attributed to Manohar
India, active 1635-1650
Title
The Jain Monk Sudatta Receiving King Yashomati (Recto), King Yashomati’s Royal Procession (Verso), Folio from a Yashodhara Charita (Life of Yashodhara)
Place Made
India, Gujarat, Idar
Date Made
1636
Medium
Opaque watercolor and ink on paper
Dimensions
6 1/4 x 10 1/2 in. (15.88 x 26.67 cm)
Credit Line
Gift of Mr. and Mrs. Robert L. Cunningham, Jr.
Accession Number
M.88.222.1a-b
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Yashodhara Charita or Charite (Life of Yashodhara) was written in 1209 CE by Janna, the Jain court poet and minister (Dandanayaka) to King Narasimha I (r. 1152–1173) and King Veera Ballala II (r. 1173–1220) of the Hoysala Dynasty in Karnataka (950–1346). This Digambara Jain purana of 310 verses recounts the cautionary tale of the morally weak but ultimately repentant King Yashodhara, his conspiring mother Chandramathi, and his unfaithful wife Queen Amritamati. King Yashodhara and his mother are eventually poisoned by the Queen and subjected to a gruesome cycle of animal rebirths that viciously destroy each other. After many torturous rebirths, they are reborn as the twin children Abhayaruci and Abhayamati of King Yashomati (Yashodhara’s ultimate successor). When Yashomati takes them to a Jain monk, their past lives are revealed. They, alongside King Yashomati, realize the nature of worldly suffering, renounce their crowns, and attain spiritual liberation (moksha).

The verso of this double-sided folio depicts King Yashomati’s royal procession to see the Jain monk Sudatta. The king is riding a white horse and has attendants bearing the royal standards of an honorific fly whisk made with a white yak tail (cauri or chowri) and a Mewar solar standard with a golden Sun in the center and a black areola made of ostrich feathers (changir/changi). The recto has three panels. On the left, King Yashomati meets with the Jain monk Sudatta. His procession’s arrival is in the lower right panel. The upper right panel illustrates the twin children, shown as a Jain monk and nun.

For the attribution of the Idar manuscript, and by extension this folio, to Manohar (active circa 1635–1650), see Andrew Topsfield, Court Painting at Udaipur: Art Under the Patronage of the Maharanas of Mewar, Artibus Asiae Supplementum 44 (Zurich: Museum Rietberg, 2008), pp. 57, 75, n. 165.

Additional folios from this manuscript are in the San Diego Museum of Art (1990.595–.599). See also M.71.49.10 and M.90.86.1.

Selected Bibliography
  • Pal, Pratapaditya; S. Andhare; J. Cort; S. Gorakshakar; P. Granoff; J. Guy; G. Larson; Stephen Markel. The Peaceful Liberators: Jain Art from India. Los Angeles: Los Angeles County Museum of Art, 1994.