LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Page from a Manuscript of the Qur'an (78:20-25; 78:26-30)12th century

Not on view
Illuminated Qur'an manuscript leaf with large Arabic script in chestnut-brown ink on cream parchment, with red and blue diacritics and gold ornamental medallions along the left margin
Manuscript leaf with large-scale Arabic calligraphy in brown ink on aged vellum, seven lines of text in an early angular script with small blue and red diacritical marks and gold and blue verse markers.

Unknown, Page from a Manuscript of the Qur'an (78:20-25; 78:26-30), 12th century, Los Angeles County Museum of Art, Purchased with funds provided by the Nasli M. Heeramaneck Collection, gift of Joan Palevsky, photo © Museum Associates/LACMA

Title
Page from a Manuscript of the Qur'an (78:20-25; 78:26-30)
Place Made
Spain, probably Valencia
Date Made
12th century
Medium
Ink, opaque watercolor, and gold on parchment
Dimensions
10 3/4 × 10 3/4 in. (27.31 × 27.31 cm)
Credit Line
Purchased with funds provided by the Nasli M. Heeramaneck Collection, gift of Joan Palevsky
Accession Number
M.88.37
Classification
Manuscripts
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

The art of writing in Arabic has been, and is, a signifier and shaper of both Muslim and Arab identity. It became central to all aspects of daily life in the Islamic world on account of the language-specific nature of the faith: the language of divine revelation is Arabic, preserved and transmitted in writing through the Qur’an. As Islam spread outward from Arabia, so too was Arabic writing brought to new lands, where the script was modified and beautified so that it might be worthy of holy scripture. The practice of calligraphy transformed and evolved specifically for copying the Qur’anic text.

From the early eighth century until 1492, Spain, known as Al-Andalus, was the western frontier of Islam. This page from a dispersed manuscript, in its use of parchment and its distinctive script, is typical of Qur’an production in Al-Andalus. Parchment remained popular in the region for copying the sacred text even after it had been supplanted by paper elsewhere in the Islamic world. The cursive script, known as maghribi, descended from kufic, but its graceful, deeply curved lines are specific to the Islamic west. The text is finely written in brown ink with seven lines per page, while the vocalization and other reading marks are rendered in yellow, red, blue, and green. The single verse markers take the form of golden knots; every fifth and tenth verse is indicated by a stylized palmette and by a medallion illuminated in gold.

2025

Selected Bibliography
  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.