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Collections

Unknown
The Bodhisattva Manjushri (?)11th century

On view:
Resnick Pavilion, floor 1
Dark gray-green patinated bronze sculpture of a standing figure with tiered conical headdress, open palms, beaded necklace, and pleated lower garment, on a square pedestal
Artist or Maker
Unknown
Title
The Bodhisattva Manjushri (?)
Place Made
Sri Lanka
Date Made
11th century
Medium
Copper alloy
Dimensions
9 x 3 x 2 in. (22.8 x 7.6 x 5.1 cm)
Credit Line
Christian Humann Asian Art fund
Accession Number
M.86.189
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A Bodhisattva is an enlightened being who postpones their Enlightenment and attainment of nirvana in order to help all sentient beings become enlightened. There are many bodhisattvas in Mahayana Buddhism, but only the future Buddha Maitreya and Buddha Shakyamuni before his Enlightenment are recognized as bodhisattvas in Theravada Buddhism, which became dominant in Sri Lanka in the 12th century. Thus, this representation of a bodhisattva attributed to the 11th century is among the final bodhisattva images made before the wane of Mahayana Buddhism.

This bodhisattva had been previously unidentified because of his unusual conical bun headdress and the absence of a deity-specific headdress or idiosyncratic iconographic gestures. His right hand in held in a standard gesture of teaching (vitarka mudra). His left hand is in the ring gesture (kataka mudra) used by several deities to hold various attributes. However, he may be plausibly identified as Manjushri, the Bodhisattva of Transcendent Wisdom, who often wears a distinctive tiger-claw (vyaghra nakha) necklace such as what may be depicted here. Accordingly, his left hand likely once held his separately-cast attribute of a blue lotus (nilotpala).

Selected Bibliography
  • Brown, Robert L., Tushara Bindu Gude, Donald Stadtner, and Lakshika Senarath Gamage. The Jeweled Isle: Art from Sri Lanka. Los Angeles: Los Angeles County Museum of Art, 2018.