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Collections

Unknown
Yellow Jambhala, Buddhist God of Wealthdated 1643

Not on view
Small gilt bronze sculpture of a seated deity with radiating halo, ornate crown, and beaded jewelry, on an inscribed lotus pedestal, with teal-green patina on worn surfaces
Artist or Maker
Unknown
Title
Yellow Jambhala, Buddhist God of Wealth
Place Made
Nepal
Date Made
dated 1643
Medium
Gilt unalloyed copper with traces of red devotional paint
Dimensions
5 3/4 x 3 x 2 1/4 in. (14.61 x 7.62 x 5.72 cm)
Credit Line
Purchased with funds provided by Jo Ann and Julian Ganz Jr.
Accession Number
M.86.61.3
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Yellow Jambhala is a Buddhist God of Wealth. According to Vajrayana Buddhist theological belief, there are five Jambhalas differentiated by color, invocation mantra, proprietary function, Buddha family, and iconography. They represent distinct aspects of enlightened prosperity and generosity, collectively forming a mandala of wealth deities. Yellow Jambhala is a frequently propitiated emanation of the Jina Buddha Ratnasambhava. He removes the obstacles of poverty by increasing virtue, wisdom, and longevity. Jambhala can be equated with Kubera, the Hindu God of Riches who is also venereated by Jains. Kubera was originally the chief of the demigods and guardians of treasures (yakshas). He is also the Regent of the Northern Direction (dikpala).

This Nepalese representation of Yellow Jambhala exhibits his characteristic iconography of being potbellied (tundila). He is crowned, nimbate, has a third eye of wisdom (jñana netra), and wears copious princely ornaments (bodhisattva abharana) and a billowing scarf. He is seated on a lotus base in a relaxed posture (lalita asana) with his right leg pendant and supported by the pericarp of a lotus flower (karnika). His right hand is held in the gesture of charity (varada mudra) carrying his attribute of a citron (jambhira). In his left hand, he holds a mythical jewel-spewing mongoose (nehulay or nakula). A Newari inscription encircles the base.

See also M.91.293.2, M.2010.78.2, M.2010.81.2.

Selected Bibliography
  • Reedy, Chandra L. Himalayan Bronzes: Technology, Style and Choices. Newark: University of Delaware Press, 1997.