LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Jedd Garet
Blood1982

Not on view
No image
Artist or Maker
Jedd Garet
United States, born 1955
Publisher
Cirrus Editions Ltd.
United States, California, Los Angeles
Printer
Ed Hamilton
Title
Blood
Place Made
United States
Date Made
1982
Medium
Lithograph
Dimensions
Sheet: 21 1/2 × 40 in. (54.61 × 101.6 cm) Image: 21 1/2 × 40 in. (54.61 × 101.6 cm)
Credit Line
Cirrus Editions Archive. Purchased with funds provided by the Director's Roundtable, and gift of Cirrus Editions
Accession Number
M.86.2.298
Classification
Prints
Collecting Area
Prints and Drawings
Selected Bibliography
  • Davis, Bruce. Made in L.A. The Prints of Cirrus Editions. New York, NY: D.A.P./Distributed Art Publishers, 1995.

Related Unframed

Related Unframed

Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color
Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color
  • May 1, 2026
  • Alexander Schneider
50 Works 50 Weeks: Jean-Auguste-Dominique Ingres’s “Odalisque”
50 Works 50 Weeks: Jean-Auguste-Dominique Ingres’s “Odalisque”
  • June 25, 2025
  • European Painting and Sculpture Department
Colorful Connections: Public Programs for We Live in Painting
Colorful Connections: Public Programs for We Live in Painting
  • January 13, 2025
  • Amal Beatriz Pizarro
Get a Taste of Ed Ruscha’s Chocolate Room
Get a Taste of Ed Ruscha’s Chocolate Room
  • September 24, 2024
  • Alexander Schneider
Reexamining the Grotesque: Selections from the Robert Gore Rifkind Collection
Reexamining the Grotesque: Selections from the Robert Gore Rifkind Collection
  • September 30, 2022
  • Kiko Thomas
Celebrating Queer Nightlife and Lee Alexander McQueen with San Cha and Olima
Celebrating Queer Nightlife and Lee Alexander McQueen with San Cha and Olima
  • September 21, 2022
  • Lilia Destin
Sites of Memory for Central Americans During the Los Angeles Uprising in 1992
Sites of Memory for Central Americans During the Los Angeles Uprising in 1992
  • April 29, 2022
  • Yansi Pérez
2021 DA² Acquisitions
2021 DA² Acquisitions
  • August 3, 2021
  • Wendy Kaplan, Rosie Mills, Staci Steinberger, Bobbye Tigerman
Betye Saar: The Grande Dame of Assemblage Art
Betye Saar: The Grande Dame of Assemblage Art
  • July 30, 2020
  • Cedric Adams
“This Will Show Your Lordship What a Woman Can Do”: Artemisia’s Rediscovered Cleopatra
“This Will Show Your Lordship What a Woman Can Do”: Artemisia’s Rediscovered Cleopatra
  • December 19, 2018
  • Diva Zumaya
Käthe Kollwitz and The Carmagnole
Käthe Kollwitz and The Carmagnole
  • August 25, 2018
  • Erin Maynes
Artists on Art: Betye Saar on Ceremonial Board
Artists on Art: Betye Saar on Ceremonial Board
  • November 21, 2017
  • Carol S. Eliel
Violence and Dissent: The “Pop-litical” Art of Guillermo Núñez
Violence and Dissent: The “Pop-litical” Art of Guillermo Núñez
  • May 23, 2017
  • Rachel Kaplan
Appropriating Art Nouveau, Part Two
Appropriating Art Nouveau, Part Two
  • April 20, 2017
  • Andrea Gyorody
Chaotic Passions: Guillermo del Toro and Collecting
Chaotic Passions: Guillermo del Toro and Collecting
  • July 26, 2016
  • Britt Salvesen
Pure Typography
Pure Typography
  • June 22, 2016
  • David Karwan
Q&A with Pouya Afshar, on Rostam in Wonderland
Q&A with Pouya Afshar, on Rostam in Wonderland
  • April 11, 2016
  • Stephanie Sykes
Giving Life to Hercules: Q&A with Gabriele Tinti and Joe Mantegna
Giving Life to Hercules: Q&A with Gabriele Tinti and Joe Mantegna
  • March 21, 2016
  • Lucy Redoglia
Robert Mapplethorpe, My Greatest Boss
Robert Mapplethorpe, My Greatest Boss
  • March 16, 2016
  • Brian English
300 Words for LACMA
300 Words for LACMA
  • August 20, 2015
  • Nicolas Orozco-Valdivia
Why an Albino? Some Notes On Our New Casta Painting by Miguel Cabrera
Why an Albino? Some Notes On Our New Casta Painting by Miguel Cabrera
  • April 22, 2015
  • Ilona Katzew
From the Collection: Mark Rothko's White Center
From the Collection: Mark Rothko's White Center
  • March 9, 2015
  • Linda Theung
This Weekend at LACMA
This Weekend at LACMA
  • November 14, 2014
  • Roberto Ayala
John Altoon’s Banana Man
John Altoon’s Banana Man
  • July 23, 2014