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Collections

Unknown
Hanuman, The Divine Monkeycirca 1600

Not on view
Bronze sculpture of a crouching deity with an animal head, ornamental jewelry, and raised hands, displayed on a black rectangular base
Bronze sculpture of a lion-faced deity in a dynamic crouching stance, one arm raised with open palm, adorned with finely cast jewelry, garland, and draped cloth, mounted on a square black base.
Bronze sculpture of a crouching deity with an elephant head, one hand raised and one near the mouth, adorned with ornamental jewelry and a crown, mounted on a rectangular black base; dark patinated surface with finely cast decorative details.
Bronze sculpture of a standing figure with a lion head, both arms raised with open palms, wearing ornate jewelry and a crown with incised decorative patterns, dark patinated surface with fine cast detailing.
Artist or Maker
Unknown
Title
Hanuman, The Divine Monkey
Place Made
India, Tamil Nadu
Date Made
circa 1600
Medium
Copper alloy
Dimensions
9 3/8 x 6 1/4 x 7 1/8 in. (23.81 x 15.87 x 18.09 cm)
Credit Line
Gift of Dr. and Mrs. Pratapaditya Pal in memory of J. J. Klejman
Accession Number
M.85.291.1
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Hanuman, The Divine Monkey (vanara), first appears in the great Indian epics, the Mahabharata ([War of the] Great Bharatas) and the Ramayana (Adventures of Rama). He served as the Monkey General who located and helped rescue Prince Rama’s wife, the kidnapped Princess Sita, from Ravana, the arrogant ten-headed demon-king of Lanka (probably modern Sri Lanka). Subsequently, Hanuman was the protagonist of the long Hindi poem, the Ramacharitmanas (Holy Lake of the Deeds of Rama) by Tulsidas (1532-1623). The Ramacharitmanas differs primarily from the Ramayana in that it portrays Rama as divine rather than mortal and it gives considerably increased emphasis to the role and personality of Hanuman. The heroic monkey, who like Rama was also deified in later Indian culture, is honored with the most dramatic and largest number of depictions, particularly his fierce battles, staunch loyalty, and crucial acts that turned the tide of the war.

Hanuman is represented with a simian head and a human body sans tail. He is genuflecting on one knee and holds his hands in front of him with his palms upward, as if he is making an offering to his master Rama (see M.89.159.1). See also M.86.338.8, M.87.160.1, and AC1998.255.5.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.