LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Ibrahim Zivar
Levha (calligraphy intended to be framed and hung as decoration)1784-1785/A.H. 1199

On view:
Geffen Galleries
Horizontal Islamic calligraphy panel with large Arabic script in ivory and cerulean blue on a tobacco-brown ground decorated with fine floral scrollwork

Ibrahim Zivar, Levha (calligraphy intended to be framed and hung as decoration), 1784-1785/A.H. 1199, Los Angeles County Museum of Art, The Edwin Binney, 3rd, Collection of Turkish Art at the Los Angeles County Museum of Art, photo © Museum Associates/LACMA

Artist or Maker
Ibrahim Zivar
Title
Levha (calligraphy intended to be framed and hung as decoration)
Place Made
Turkey
Date Made
1784-1785/A.H. 1199
Period
Ottoman (1281-1924)
Medium
Opaque watercolor and gold on paper mounted on wood
Dimensions
11 1/2 x 26 x 1/2 in. (29.21 x 66.04 x 1.27 cm)
Credit Line
The Edwin Binney, 3rd, Collection of Turkish Art at the Los Angeles County Museum of Art
Accession Number
M.85.237.94
Classification
Paintings
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Levha, meaning “tablet” in Turkish, refers to calligraphy on paper featuring religious texts or poetry mounted on wood or cardboard and framed. These panels, which were especially popular in Ottoman Turkey during the eighteenth and nineteenth centuries, were commonly used as wall decoration. This rectangular panel features two artfully interlaced phrases rendered in gold and blue on a dark brown ground. As is typical, the texts are written in a large-scale thuluth script, known in Turkish as celi sulus, which read: “I rely on the forgiveness of the Guardian (Allah)” (in gold) and “He is the Lord of Mercy” (in blue). A small cartouche in the upper left corner bears the signature of the calligrapher, Ibrahim Zivar. Generally, an illuminator prepared the levha using a stencil (kalip) that the calligrapher wrote in orpiment (yellow arsenic) ink on dark brown or black paper. In some instances, such stencils have survived, while occasionally the finished levha includes the name of the illuminator.

2024

Selected Bibliography
  • Denny, Walter B. Turkish Treasures from the Collection of Edward Binney, 3rd. Portland, OR: Portland Art Museum, 1979.